Into the Deep…

*

…Shiduri, the tavern keeper, sat,

at the edge of the Great Ocean,

her golden brewing-vat resting by her side.

*

Gilgamesh, whose heart was still full of anguish,

strode toward her…

*

‘This desperate man must be a murderer,’ thought Shiduri,

‘Why else would he be heading straight for me?’

She locked the lid of her brewing-vat and stood in front of it.

*

Gilgamesh heard the lock click and looked up.

There stood Shiduri staring at him, “Who are you,

and where are you going?” she said.

*

“I am the king of Wall-Girt Uruk,” said Gilgamesh, “I am

going to find Utnapishtim, so that I can ask him about the Herb of Immortality.”

*

“Why is there so much grief in your heart?” said Shiduri.

*

“My beloved friend, Enkidu, is turned to clay,” said Gilgamesh,

“Won’t I too, one day, lie down in the dirt like him

and never again rise?”

*

“There are none who can cross the Great Ocean

to Utnapishtim,” said Shiduri,

“Only Shamash, who traverses the sky, is brave enough!”

*

“But I am the man who slew the tree demon, Humbaba.

And it was I who tore the Bull of Heaven limb from limb.

There must be a way!” cried Gilgamesh, drawing his knife…

*

‘Gilgamesh is among the greatest things that can ever happen to a person.’
– Rainer Maria Rilke.

*

The Silent Eye’s Spring workshop for 2019

A Dramatic adaptation of the Epic of Gilgamesh…

Full details, cost and booking form are available by clicking HERE

 

Getting there…

January…and the clock is ticking down to spring. Work that has been going on all year  now changes gear. It began in earnest last year, with a research trip to the British Museum to see the art and artefacts of an ancient civilisation that was at least the equal of Egypt, but which is less well known today… Sumer.

Over seven thousand years ago, long before the pyramids were dreamed of, the people who would become the Sumerians settled in Mesopotamia. Their culture was rich and colourful. We know that music and the arts were of great importance to them…and their city of Uruk, home to up to eighty thousand people at its height, was the centre of their world.

Gilgamesh ruled in Uruk almost five thousand years ago and his story passed into legend and thence into myth. It comes down to us, echoing through the ages, as the Epic of Gilgamesh, which is regarded as the earliest great work of literature known to Man. The earliest version we now have was found in Nineveh. It was already ancient when a scribe named Sîn-lēqi-unninni collected the tales and wrote them down, over a thousand years before the birth of Jesus.

The story, though, is not ‘old’ in anything other than age. It tells of the adventures of the king, a story in which he is both villain and hero by turns. It is a very human story, though the gods of old walk through its pages, and although it can be read as ‘no more’ than a myth and an ancient curiosity, it can also be read as a representation of a human journey through life to the dawning of a greater awareness.

It is a magical story, wholly relevant to any seeker who has set their feet on a path towards self-development and a wider consciousness. It is also a story that resonates with our own time, where we encroach upon the natural world with little respect for its life and purpose.

The art and craftwork that we saw at the museum was beautiful and delicate. Tiny cylinder seals, intaglio carved and small enough to be worn in a ring, roll out scenes of gods, animals and starscapes.Jewellry of pure gold rests, fragile, on tiny springs so that leaves and flowers tremble with every movement. Ancient texts in cunieform, possibly the earliest form of writing and one of the greatest achievements of Sumer, tell forgotten tales…  It was a good place to begin and we left the museum aware that the text we would use for our April workshop sprang from a great civilisation with a deep understanding of the workings of the human mind and heart.

But, no matter how early you begin, the last few months are always against the clock as so much must be put into place when we begin to have an idea of numbers. This year, we know that once again, people will be converging from as far afield as Europe and the US to meet in a village in the Derbyshire Dales. Thousands of miles will be travelled between us as our various wheels turn and we head, from many different directions, to that central point of meeting.

It is easy to compare those diverse journeys to the greater one we have all taken as we come together at this point. Only a few who will be attending are Companions of the School, and we have each taken very different spiritual paths towards this moment in time. There are those who have followed a Shamanic path; there are Qabalists and one who refers to herself laughingly as a witch… yet who lives the life of a priestess of the old ways with all her being. There are ritualists and those who simply follow where their heart leads; Rosicrucians and mystics, Druids, housewives, magicians and scholars. We have all walked our individual paths alone, some have also studied with other groups and schools, some tend the hearthfire and many still forge their own way towards the goal we all share.

So what brings such a diverse crowd together, to share the adventure of a weekend workshop? That there will be fun goes without saying; these events are always a time of laughter. There is friendship of course… some old, some still to begin. Some are ‘old hands’, for others this will be a first time and a first meeting face to face with those only known through the ether.

Yet beyond the smiles and greetings there is something else at work. Each of us, from our own unique place in the great tapestry of life, is seeking a common understanding of something we feel to be greater than our normal human consciousness can fully grasp. We each have our own vision, our own guiding light… we may call it by many names, or know it only as a vague yet insistent pull at the heartstrings. Yet the further you walk along your chosen path, the less the details matter, you see only the light that floods both the paths and the space between them… and that light is the same.

This year the workshop takes us back five thousand years to the great civilisation of Sumeria. In exploring a world long dead, walking with the shadows of an ancient land, we are not harping back to the ‘olden days’ or hankering after times gone by… we are taking our own minds and placing them in an unfamiliar frame, where our perspective can shift. From fabric and gilding an illusion is born and, as within a dream, the illusion holds its own reality while it lasts. A ‘willing suspension of disbelief’ allows us to walk within that illusion and, as with a dream, what remains when we wake may cast the glow of understanding on our path.

We are holding up the jewel of being and letting it refract a thousand rainbows from many facets… and in those moments we may catch a glimpse of their colours. Such a moment does not bring the kind of knowledge that can be learned from books, nor the understanding of conscious thought, though these too have their place alongside what is learned through experience. What is reaped from such gatherings is no more than a seed… yet a seed may contain a tree, and a tree a forest. At the end of the weekend, each will take from this time out of time something unique to them alone which we hope will serve to shed a mirrored rainbow on their own journey.

As the wheel of the year turns towards Beltane, the time of renewal and Union, our gathering too will seek in the dark flame of a shadowy past a light for the future and perhaps move a small step closer to that greater Union between our human selves and that spark of Divine Fire that glows within every heart.

‘Gilgamesh is among the greatest things that can ever happen to a person.’
– Rainer Maria Rilke.

The Silent Eye’s Spring workshop for 2019

Full details, cost and booking form are available by clicking HERE

Lord of the Deep: Death of the self?…

*

‘…When Anu heard this, he called for the Bull of Heaven,

And handed its nose rope to the Princess Ishtar.

Ishtar led the Bull of Heaven down to earth.

 

*

When the Bull of Heaven snorts on the earth,

a crack will open in the land and swallow all the men-folk…

*

When the Bull of Heaven snorts a second time on the earth,

the land will crack open further and swallow all the women-folk…

*

When the Bull of Heaven snorts a third time on the earth,

the land will crack open still further and swallow all the child-folk…

 

*

I will cast your corpse down the narrow streets,

that the city orphans may gorge on it.

*

I will toss your innards to the city dogs,

that they might fight over them.

*

I will present your two horns to Shamash

to serve as a flask for his sweet oils.’

*

 

A DRAMATIC RETELLING OF

THE EPIC OF GILGAMESH

*

The Oldest written story known to man…
What spiritual treasures lie hidden in this, five thousand-year old, Epic?
What can this ancient civilisation teach us about the questions of existence?
Join us on the quest of a life-time, this coming April, to find out…

*
‘Gilgamesh is among the greatest things that can ever happen to a person.’
– Rainer Maria Rilke.

*

Fully catered weekend package, including room, meals and workshop: £235 – £260

Click here to download the Booking Form

Updated Gilgamesh booking form

For further details or to reserve your place: rivingtide@gmail.com

Lord of the Deep: The quest for Immortality

26-28 April, 2019 – Great Hucklow, Derbyshire

Why not?

Above Great Hucklow, Derbyshire

One of the joys of working with the Silent Eye is the people you get to meet. Not all of them are part of the School; most follow their own Paths, which, though they may run in the same general direction, can take vastly different routes on the journey. None is inherently ‘better’ than another; it is always the Path that speaks to the heart that is right for any seeker. Being able to share and learn from our individual experiences on that Path makes the journey richer and fosters a spirit of understanding and cooperation.

Every year, the Silent Eye runs four workshop weekends. While the correspondence course and the personal journeys of our students are at the heart of the way the Silent Eye works, the workshops allow us to take a different approach and explore new ideas in new ways. They also allow us meet face to face with people… not just students and Companions of the School, but with those who share our interests, from widely different angles, but who may have no intention at all of joining the School.

Derbyshire

Three of our workshops are run in the landscape, exploring ancient, sacred and interesting sites. These can be anything from stone circles to castles, beaches to churches, modern landscapes to ancient henges. These are informal weekends and generally fun. We currently charge a minimal fee for the whole weekend workshop.

But why should anyone come along, just to do ‘tourist stuff’?

We do the groundwork before the event. We travel to the sites to investigate access, parking, places to eat and, most importantly, routes to obscure places you might not even know exist… and that allows us to cover a lot of local ground during a single weekend.

There is always a unifying theme; while we explore the sites, we explore too the ideas, psychological and spiritual concepts they suggest and illustrate, inviting discussion.

Nine Stones Close, Derbyshire

We not only have a love of the ancient sites, but we have amassed a store of knowledge about them too, having explored around five hundred prehistoric sites and medieval churches in the past five years alone.

We do the research… so you will not only visit an ancient site, and get a little of its history, but will learn the folklore and legends attached to it too.

We do not simply visit the sites, we work with them too. You may experience a guided meditation on a beach, a divination in a wood, a spiritual exercise in a churchyard or a simple ritual in a stone circle. None of these are tied to any particular spiritual Path or discipline… just to the human journey.

And, perhaps most importantly, these weekends also, as one of our attendees put it, provide “a safe space in which to talk” about things that, for many people, cannot be discussed anywhere else. Those who come along may have different views, but all share an open mind and heart.

The annual April workshop is a little different.

Image by Matt Baldwin-Ives

The residential weekend takes place in the Derbyshire Peak District, at the Nightingale Centre, which provides full board and accommodation. The gardens, local countryside and the old inn next door provide a place to relax too.

Each year we choose a theme that encapsulates a spiritual idea… then spend months writing the workbook for the workshop. The workbook sets out a story, presented as ritual drama in the tradition of the ancient Mystery Schools, and written as a script. Each attendee takes a part… no-one needs to be able to act or learn lines, as it is not designed as a play and there is no audience; only the other attendees.

These scripts are either based upon an ancient text, or are written especially for the workshop. The Leaf and Flame workshop, for example, took us back to Arthur’s Court and the tale of the Green Knight, while The Feathered Seer brought in the stories of local stone circles. River of the Sun took us to ancient Egypt to see a priest made and a Pharaoh take power.

Image by Matt Baldwin-Ives

There are presentations from experienced speakers, guided meditations, an optional dawn ritual on the hillside and a chance to see the inner workings of a modern Mystery School…as well as having fun and meeting like-minded people from across the UK and as far away as the US. We do not insist upon costumes, but most people seem to enjoy bringing the period to life, and we have had some colourful workshops, in everything from Egyptian robes to Elizabethan dress.

To give people a good idea of what we do, we have not only published some of the workbooks, but we invite attendees to add their own comments and publish their personal experiences on the Silent Eye’s website. You can find you exactly what happens when you attend your first workshop by clicking here or read an account by Running Elk of the first time he came to a Silent Eye event.  You can also visit the gallery to see pictures of a few of our events.

Sumerian art

This year we will ‘go back’ five thousand years to Sumeria and the time of Gilgamesh, King of Uruk, basing the story upon the oldest epic poem in the world. The tale explores spiritual and psychological principles that we meet in our everyday lives and , like all our workshops, leaves us with a greater understanding of who we are and how we can live our lives to the fullest.

There are still places available for April… and always places for the landscape workshops. Why not come along and join us for the weekend?

Lord of the Deep
26-28 April, 2019

Great Hucklow, Derbyshire

The Silent Eye’s Spring workshop for 2019

Click HERE for full details, prices and booking form

For all upcoming events, please visit our EVENTS page.

 

The Anunnaki…

 

*

The Anunnaki… Cometh!

*

*

…They drinketh the dew of Heaven.

*

*

…They eateth the fruit of Earth.

*

LORD OF THE DEEP: THE QUEST FOR IMMORTALITY
A DRAMATIC RETELLING OF THE EPIC OF GILGAMESH

The Oldest written story known to man…
What spiritual treasures lie hidden in this, five thousand-year old, Epic?
What can this ancient civilisation teach us about the questions of existence?
Join us on this quest of a life-time, next April, to find out…

*
‘Gilgamesh is among the greatest things that can ever happen to a person.’
– Rainer Maria Rilke.

Fully catered weekend package, including room, meals and workshop: £235 – £260

Click here to download Booking Form

Contexts: kingship…

*

Kingship was the only form of government in Ancient Mesopotamia.

It was ordained by the Gods for the guidance and prosperity of people and cities, to maintain order and to protect the wealth in society.

Among the kingly duties were military leadership, priestly functions, law-giving and city building.

When kingship broke down so did law and order, with terrible consequences.

*

 … “We are talking ‘Divine Kingship’ here, are we not?” asks Wen.

“Possibly… Possibly, not. It is not exactly clear is it? One thing is apparent though.”

“Oh yes?”

“At this juncture in time the institution was already ancient.”

“What makes you so sure?”

“The kingly duties listed here would originally have fallen to different individuals.”

“You mean, our king has been busy usurping the functions of his ruling elite?”

“Something like that.”

“Naughty, naughty, Mister Kingship!”

“Indeed! In cases such as these we may even have to consider the introduction of terrible consequences before the break down of this venerable institution.”

“Oh, Don, you say the kindest things.”

*

LORD OF THE DEEP: THE QUEST FOR IMMORTALITY
A DRAMATIC RETELLING OF THE EPIC OF GILGAMESH

The Oldest written story known to man…
What spiritual treasures lie hidden in this, five thousand-year old, Epic?
What can this ancient civilisation teach us about the questions of existence?
Join us on this quest of a life-time, next April, to find out…

*
‘Gilgamesh is among the greatest things that can ever happen to a person.’
– Rainer Maria Rilke.

Fully catered weekend package, including room, meals and workshop: £235 – £260

Click here to download Booking Form

Contexts: scribes…

Image result for sumerian cylinder seals - beer and planets

*

With the advent of cuneiform, the Oral Tradition continued to develop alongside ‘written literature’, but the primary purpose of recording stories in writing was not necessarily to supply individual readers with a coherent or connected account of ‘historical’ events.

Ancient stories were used for a multitude of purposes, often in extracts attached to ritual, to give authenticity, or to provide an aetiology, i.e. a reason for the way things are as they are, to lend weight to ancient traditions, or customs, or to an incantation.

Many of the ancient scribes were Incantation Priests.

*

“When in doubt,” smiles Wen, producing a battered copy of Longmans from the murky depths of her shoulder bag, and, rather too conspicuously, for my liking, clearing her throat…

Sure enough, this unwarranted live event has now started to draw the attention of some idle strays who sidle over and form a crescent around Wen as she finally gets her reading specs onto her conk and launches into the definition…

“Incantation – noun the use of spoken or sung spells as part of a magic ritual; also, a written or recited magical formula of words designed to produce a particular effect fr Latin incantus, past participle of incatare, to enchant…”

*

“That’s not too bad, considering,” I concede, after I have finished dragging Wen away from our unsolicited audience of now somewhat bemused looking spectators.

“It’s bloody brilliant,” says Wen, “and so precise!”

“A chorus, it is then.”

“The chorus is Greek,” says Wen, “So we may have to call the chorus, ‘the fates’.”

*

LORD OF THE DEEP: THE QUEST FOR IMMORTALITY
A DRAMATIC RETELLING OF THE EPIC OF GILGAMESH

The Oldest written story known to man…
What spiritual treasures lie hidden in this, five thousand-year old, Epic?
What can this ancient civilisation teach us about the questions of existence?
Join us on this quest of a life-time, next April, to find out…

*
‘Gilgamesh is among the greatest things that can ever happen to a person.’
– Rainer Maria Rilke.

Fully catered weekend package, including room, meals and workshop: £235 – £260

Click here to download Booking Form

Contexts: creation…

Image result for sumerian cylinder seals

*

‘In Mesopotamian mythology a Mother Goddess, with the assistance of a God of Wisdom created men out of clay, mixed with the blood of a slain God.

The Primeval male and female human beings were not allotted a life-span.

People originally only died as the result of natural disasters such as plague, famine or flood, or by internecine strife.

The Epic of Gilgamesh culminated with the introduction of a limited life-span for Mankind.

Man’s original purpose in being was to relieve the Gods and Goddesses of hard labour.

Gods and Goddesses associated with birth and fertility were also patrons of mining, smelting, and metal work.’

*

“We find the information contained on this board to be ever so slightly uncomfortable.”

“It’s slave mentality.”

“And it’s metallic mind.”

 “’The blood of the slain God’ is perhaps most perplexing.”

“It might be more than that if the Gods were Planetary Beings.”

“How so?”

“There is an asteroid belt orbiting the earth which some claim used to be a planet.”

“Which makes my next question even more pertinent.”

“Shouldn’t that be impertinent?”

“Who, or what, slew the God?”

*

 

LORD OF THE DEEP: THE QUEST FOR IMMORTALITY
A DRAMATIC RETELLING OF THE EPIC OF GILGAMESH

The Oldest written story known to man…
What spiritual treasures lie hidden in this, five thousand-year old, Epic?
What can this ancient civilisation teach us about the questions of existence?
Join us on this quest of a life-time, next April, to find out…

*
‘Gilgamesh is among the greatest things that can ever happen to a person.’
– Rainer Maria Rilke.

Fully catered weekend package, including room, meals and workshop: £235 – £260

Click here to download Booking Form

Contexts: the flood…

*

‘Various stories relating a catastrophic flood are told by classical authors.

These flood stories may derive from a single Mesopotamian original used in travellers tales for over two thousand years along the great Caravan Routes of Western Asia.

In the Epic of Gilgamesh the ‘Flood Story’ is used to mark the time in history after which it was no longer possible for a mortal to win immortality.

The Flood is also important in wider Mesopotamian Tradition as it marks the end of the period when the Seven Sages lived on earth and brought to mankind the arts of civilisation…

The various derivations of the Flood Hero’s name, or epithets, attest to this transition… ‘Extra-Wise’ ‘He Found Life’ ‘The Far-Distant’ ‘The Green One’.’

*

… Wen and I are still in the British Museum mulling over one of the information boards.

We don’t normally hold with ‘establishment views’ but this one’s not bad.

“There seems to be some conflation of Sages with Gods.”

“That there are seven should, perhaps, be ringing bells.”

“The planets?”

“Planetary Beings.”

“‘Lived on earth’ probably needs ‘fleshing out’ then.”

“‘Moved amongst men’?”

“Is possibly even more confusing.”

“You’re probably right, but it is clear from the cylinder seals, that there was communication of some form.”

“Science has a lot to answer for in that respect.”

“Not least the ‘word salad’ of creation.”

*

LORD OF THE DEEP: THE QUEST FOR IMMORTALITY

A DRAMATIC RETELLING OF THE EPIC OF GILGAMESH

The Oldest written story known to man…
What spiritual treasures lie hidden in this, five thousand-year old, Epic?
What can this ancient civilisation teach us about the questions of existence?
Join us on this quest of a life-time, next April, to find out…

*
‘Gilgamesh is among the greatest things that can ever happen to a person.’
– Rainer Maria Rilke.

Fully catered weekend package, including room, meals and workshop: £235 – £260

Click here to download Booking Form