Preparations…

Derbyshire is beautiful as summer comes to the moors. Every road is bordered with wildflowers… swathes of lacy cow parsley and meadowsweet and drifts of yellow loosestrife make the blue of cranesbill almost luminous. Here and there, deep purple thistles and lavender pools of wild thyme add yet another colour to a palette that begins to light the brown sea of heather that will soon paint the hills.

It was just a shame about the weather. Torrential rain waited until we stopped the car and seemed determined to prevent us getting to work on the September workshop, but somehow, we managed to dodge the deluge. In the clear spaces between showers, we were able to visit several of the sites we will be including in the weekend and decide how best to use them.

The process is a curious one, as we let the land itself suggest how to proceed, learning its stories, history and legends, before fitting them to the ideas we wish to share. This time, we will be looking at how an emotion such as fear, which is usually seen as a negative feeling, can give birth to some of the most selfless and beautiful human actions… and how, in our own lives, we might find a key to turn such darkness into light.

With the stories of the land, both historical and legendary, the ancient places we visited over the weekend opened a window into the human heart and soul, allowing us a small glimpse of the grandeur that waits within the shadows that can touch us all throughout our lives. Join us in Derbyshire this September to learn more…

The Silent Eye hosts a number of events each year, from our annual Weekend Workshop in Derbyshire to our informal ‘Living Land’ and ‘Walk and Talk’ gatherings. All events are open to non-members and Companions of the School and they are a great way to meet like-minded people, explore the ideas we share and spend time with fellow travellers.

The weekends are informal, no previous knowledge or experience is required. We ask only that you bring your own presence and thoughts to the moment…

Rites of Passage: Seeing beyond Fear
Tideswell, Derbyshire,

Friday 13th – Sunday 15th September 2019

We are all afraid of something.

There are the fears of the everyday world, from arachnophobia to a fear of the dark, and the deeper fears of the personality, that play upon the mind and heart. What purpose might such fears serve, beyond protecting us from potentially harmful situations? How have our ancestors addressed such fears across the centuries? Can we learn from the past a way to see beyond our fears to a future lit by serenity and hope?

Join us on Friday the thirteenth of September, 2019, in the ancient landscape of Derbyshire as we explore how to lay our personal gremlins to rest. Based in the landscape around Tideswell, Bakewell and beyond, this weekend will entail some relatively easy walking on moorland paths.

The weekend runs from Friday afternoon to early Sunday afternoon, and costs £50 per person. Meals and accomodation are not included and should be booked separately by all attendees. Meals are often taken together at a convenient pub or cafe.

Click below to
Download our Events Booking Form – pdf

For further details or to reserve your place: rivingtide@gmail.com


The Keys of Heaven

Whitby, North Yorkshire,

December 6th- 8th, 2019

It is the year AD 664. The coastal town of Whitby and its Abbey, under the control of the abbess who became St Hilda, are the setting for a Christian Synod – a court of doctrine established, on the face of it, to unify how priests cut their religious tonsure and what should be the correct basis of the calculation of Easter.

Trivial things? Perhaps to our distant eyes; but the Synod of 664 had a brutal undertone: its decision would determine a single Christianity for Britain – and would condemn the alternative to a slow but inevitable death.

An outstanding scholar, Bishop Cedd, later St Cedd, had been raised and trained on Lindisfarne, yet his role as ‘facilitator’ could not afford to display bias. Torn in mind, faith and kin, the man who became St Cedd walked a treacherous path within the Synod that was to change everyone’s lives.

It is a story reminiscent of one of Shakespeare’s play, full of character, mystery and treachery; one in which the cleverness of argument came to supplant the lore of the land and the local history of the interwoven Christ.

The weekend runs from Friday afternoon to early Sunday afternoon, and costs £50 per person. Meals and accomodation are not included and should be booked separately by all attendees. meals are often taken together at a convenient pub or cafe.

Click below to
Download our Events Booking Form – pdf

For further details or to reserve your place: rivingtide@gmail.com


Where Beauty Sleeps

Great Hucklow, Derbyshire, 17-19 April, 2020

The Silent Eye Annual Workshop…

There is a lot more to fairytales than the wide eyed child understands, especially in the older versions. The archetypes we meet in these old stories echo many aspects of the human condition and the journey of the soul.

We are born into a magical world, where our childhood is peopled with wonders. We are given gifts and talents yet our soul is held within the body, like the princess in the castle. As we grow to adulthood the magic fades…or more precisely, our awareness of it fades. Like the princess, we fall asleep, lost to the song of the soul as the ‘curse’ takes hold. Alive but slumbering, waiting…

Join us next April to explore the hidden beauty of fairytales… and awaken the beauty that sleeps within.

Fully catered, residential weekend.

Click below to view inclusive prices and
Download a Booking Form – pdf

For further details or to reserve your place: rivingtide@gmail.com

‘Aye’ of the Unicorn: Tower…

Image result for Alchemical unicorn

*

To complete our pentagrams

we returned to our

core principles and considered the shadow.

*

The setting was not the swiftly flowing Spey

but a quitely progressing brook

which arced in a crescent

around the space in which we chose to work.

*

Out text saw the Queen of Witches,

Hecate, admonishing the Weird Sisters

for tampering with the modalities of time.

*

A fitting end to conclude our adventures.

*

The child outgrew the shadow

 filling the limbs

and head of the pentagram

before climbing astride

the Unicorn

and bounding away…

*

With thanks to Dean Powell and Steve Tanham for organising the weekend…
and to all those who joined us in Scotland for making it a great one.

Untitled

If you would like to join us for a weekend, exploring the inner, spiritual landscape, within the Living Land of Britain, please see our Events page.

‘Aye’ of the Unicorn: Circle…

*

As the weekened progressed

we were to work our way around ‘the limbs’

of an elemental pentagram.

*

Two sites from the region

were given over to each element.

*

In the first we would consider the element in question

with the help of a conducive environment and our core text.

*

In the second we would construct and walk our pentagrams,

again in a conducive environment,

whilst examining notions of our magical self

in relation to the element and its inner psychology.

*

Mid and late Saturday morning,

we considered and worked with the element of water.

*

Which all turned a bit weird.

*

For one thing we abandoned our core text

and instead considered the information board

to the Holy Well at Burghead.

*

There was no disputing that the place

was ancient and held to be sacred,

but some of the uses to which it had been put

caused rumblings in the assembled ranks of the Companions.

*

These only increased as the steep steps

down to the cavernous well head were traversed.

*

There seems to have long been an ancient connection

between skulls and sacred waters.

*

Symbolically, this combination relates

to accessing the pool of ancestral wisdom.

*

A ‘baptism’ in these waters would be an acceptance

of this higher source of being which reaches beyond the circle of time…

*

As if in confirmation of such a notion

when we reached our second site

for the element of water

the tide had come in!

 

 

 

‘Aye’ of the Unicorn: Armchair…

*

As the weekened progressed

we were to work our way around ‘the limbs’

of an elemental pentagram.

*

Two sites from the region

were given over to each element.

*

In the first we would consider the element in question

with the help of a conducive environment and our core text.

*

In the second we would construct and walk our pentagrams,

again in a conducive environment,

whilst examining notions of our magical self

in relation to the element and its inner psychology.

*

Late Saturday afternoon and early Sunday morning,

we considered and worked with the element of fire.

*

We were back with the witches, again,

on the blasted heath.

*

I’m not sure whether or not our heath had been blasted

but it had certainly been scorched…

*

The witches really represent past, present, and future,

for our soon-to-be-king, Macbeth.

*

He was Glamis and is now also Cawdor, although

at the moment he is unaware of the promotion,

and he is promised King…

*

The crux of the matter is really

one of free-will or determinism.

*

Would he have got the crown

without seizing it

and what difference would that have made?

*

The rest of the ‘prophecy’ may still have held

but brought about by different circumstances…

*

That fire, or desire, could actually be a weakness

is not always fully grasped.

*

Just ask Falstaff!

 

‘Aye’ of the Unicorn: Enneagram…

*

As the weekened progressed

we were to work our way around ‘the limbs’

of an elemental pentagram.

*

Two sites from the region

were given over to each element.

*

In the first we would consider the element in question

with the help of a conducive environment and our core text.

*

In the second we would construct and walk our pentagrams,

again in a conducive environment,

whilst examining notions of our magical self

in relation to the element and its inner psychology.

*

Mid Saturday and Sunday mornings

we considered and worked with the element of earth.

*

Our character Macbeth is given reason

to believe that he has the potential to become king,

but his treacherous manner of achieving this desire leads to all sorts

of trouble both for him and his soon to be acquired kingdom,

and when he finally gains access to the crown he discovers

that to be king is not all it is cracked up to be!

*

Like a castle sinking into the earth

his kingdom, his sanity,

and ultimately his life slips from his ignoble grasp.

*

It could have been so different,

had he only sought integration

instead of dominion.

Being Human

1200px-SantaCruz-CuevaManos-P2210651b
Cave of the Hands: artwork created up to thirteen thousand years ago. Image: Mariano CCAS3.0

Shadows dance in the firelight. A hand, warm upon cold stone, where many other hands have rested. The breath of the shaman, blowing ochre, staining the wall at this moment of passage. Rite of recognition within the tribe. Kinship and continuity indelibly inscribed upon the body of earth

***

The restaurant is quiet now, many of the tables are empty.  Sunset gilds the weathered stone of the window frames and casts ghosts of a beautiful day across the table, igniting the ruby heart of the half empty glasses. The woman tapping away at the little keyboard glances at her companion. There is an expression of deep concentration, emotions flitting across the unguarded face… She smiles. He is lost in the story, seeing it played out on the screen of imagination, reading from the heart, feeling the joy and grief of the characters. The book in his hands is a dream made concrete, the ephemeral made real. Her dream, his reality. From the back cover her own face smiles back.

***

An old story plays out in images on the flickering screen, acted to perfection by movie stars, long dead perhaps, but here, forever, captured in an unending moment. The story may have no basis in reality… or perhaps it does…but the grief of she who weeps for her son is that of every mother’s tears. Alone in the dark, tears course unstoppable…rivulets of pain and compassion… from cheek, to throat, to breast… back to the heart that watches, a mother’s heart who knows that grief. The acted emotion evoking a response, a mirror, in the reality that observes the fantasy.

***

Faded photographs, a tapestry of images… instants in time captured by the lens and brought back to life by the sight of the heart. Memories carry presence from the now to the then as eyes read the story of the past. The emotions are not then, but now.

***

Paint rushes across canvas, swirling and curling like dust-devils in the heat of summer. You can feel it beating down on the unprotected head. Energy flows in every line and curve…passion made visible, calling to something deep within your being

***

The music begins and you are lost in images born of sound and emotion, carried upon wings of imagination shared across centuries, heart to heart with unspoken words….

***

School dinners. It is not the same smell… but so close you are instantly transported back to childhood, feeling once more all the small details of that moment, recalling the taste of a favourite sweet, perhaps, or the comfort of a touch. For a scintilla of conscious time you are a child again.

***

You will have noticed a bit of a theme going on here… images, brought to consciousness through the senses and evoking emotions that are not images or memories in themselves, but, here and present now. Many spiritual paths over the ages have advocated a leaving behind of the things of the flesh, divorcing ourselves from the senses and focussing our attention firmly upon the higher and ethereal realms of spirit. I cannot, nor I think, can anyone say with any certitude, except that of personal conviction, whether this is the ‘right’ or ‘wrong’ way to go about things.  There are and have been mystics of all faiths and paths that have embraced this concept with their whole being and who have come to a personal enlightenment. There are others who have embraced the world and all it offers and who have also reached that level of spiritual beauty.

For me, personally, and for the Silent Eye, we have chosen the latter path…or perhaps it is closer to the truth to say it has embraced us. The idea of turning away from the world, for me, implies a separation from the Divine, by whatever name we choose to call It. The world in which we live, the bodies we inhabit, the creatures, great and small, with which we share this planet… our home… to me are all expressions of the One.

Even as a child the idea that we should turn from ourselves… away from how we were made, the tools we were given with which to experience the world… seemed odd. Though I was raised in a rather unusual family with wide ranging religious and spiritual beliefs, I live in a nominally Christian country, went to Sunday School and learned from the Bible. It says, quite clearly, “So God created man in his own image, in the image of God created he him; male and female created he them.” Genesis 1:27. KJV.  In fact, in the same phrase, the point is hammered home  thrice.

Now, the Sunday School child, with the child’s simplistic viewpoint, could not quite grasp how, on the one hand, we were being taught that God was omnipotent, omniscient and omnipresent… yet had obviously got it all wrong, because we had to be ashamed of our bodies and their functions, deny human emotions and senses and try to become perfect. Surely, I thought, if God had created us in His image… like a mirror… we were already perfect in His eyes?

Ah, said the Sunday School teacher, smiling beatifically… but there was the Fall… the expulsion from Eden…sin….

Hmm… thought the child, rapidly learning to keep quiet… but didn’t God create the Tree, the Apple and the Serpent too? Maybe He knew what He was doing? Maybe, they too were part of His plan, His perfection?

Decades passed, symbolism and abstract thought were engaged upon and explored, beliefs changing and evolving as life added to the store of knowledge and understanding…yet this idea always stuck, unshakeably, in my mind.

Maybe, just maybe, the things of this earth were meant to be experienced and learned from? And perhaps the senses we use to move blindly and often blandly through life were the gateway to a deeper understanding? And when I realised that it is through the senses that we touch the deepest emotions that began to make sense.

There is a difference between being a slave to the senses and using them… the same difference perhaps between using opiates for medical purposes and for the recreational escapism that ends in addiction. The one offers release from pain, the other dependency.

There is no guarantee that the reality any of us sees is the same as that seen through another’s eyes. We all see the sky is blue… but how can we tell if what I see as the colour I call blue is the same as the colour you see? We agree, by consensus, that it is blue.. and can replicate our own version of blue in other things… but who is to say my ‘blue’ is not actually your ‘green’… just called by the same name? Our perception of the world is unique and personal, but we have a consensual language with which to share experience.

Perhaps the only area where we can touch each other’s reality at a deep level of true understanding… where we can communicate heart to heart, wordlessly and in all simplicity… is through the emotions… and our emotions are accessed through the senses. Think about that; without the physical senses we could not feel… indeed, most of the language of emotion describes sensation… we feel, are touched, we hurt….

There is another phrase from the Bible that also stuck, “…a sword shall pierce through your own soul also, that the thoughts of many hearts may be revealed.” Luke  2:35

Emotions are universal, timeless and understood by all. Once experienced they are part of us and we recognise them in ourselves and in others. Empathy, not sympathy. Compassion answers grief, eyes meet in joy, tenderness meets need… a wordless understanding that transcends all other forms of communication. Who among us that has experienced the heart-piercing sword of loss cannot feel it in another? The thoughts of many hearts, indeed, become clear when we allow ourselves to listen to our own.

Maybe just being human can bring us closer to each other than we realise…across time and space, across all political and geographical divides, leaving an imprint of emotion that others can understand, miles and millennia apart.

The Wicker-Tree…

F4AD6DA9-7EA0-4185-98F1-32EC6712AF8F

*

Why meet again, we three?

To quell a raging psychopath…

and tell the Way of the Wicker-Tree.

*

Why we three?

Why a circle?

Why a dance?

*

Because this way

None can say

Which witch is which…

*

Nor can any see

a beginning or an end

to the Wicker-Tree.

*

The Silent Unicorn

The Silent Eye and Lodge Unicorn na h’Alba

The Unicorn is an iconic spiritual symbol in the British Isles and particularly in Scotland. We will use the power of the elements and spirit of the unicorn to create your own Silent Unicorn within, culminating at the old hidden seminary at Scalan in the remote Braes of Glenlivet.

Dates:  Weekend  Friday 14th – Sunday 16th June, 2019

Location:  Based in Grantown–on–Spey and area

Cost: Workshop costs £50 per person. Meals and accomodation are not included and should be booked separately by all attendees. Lunch and dinner are usually shared meals.

Untitled

Click below to
Download our Events Booking Form – pdf

For further details or to reserve your place: rivingtide@gmail.com

Where Beauty Sleeps ~ The Silent Eye Annual Workshop 2020

waddesdon_manor_sleeping_beauty_4

It is a familiar story. Both gifted and cursed at birth, a princess grows within the safety of a castle. Reaching adulthood, she is cast into sleep in the most inaccessible tower, surrounded by walls of stone and a hedge of thorns… waiting for the brave prince to cut his way through the briars and awaken her with the kiss of true love…

There is a lot more to fairytales than the wide eyed child understands, but we seldom question them as we grow up and tell them to our own children. We are so very familiar with them that they simply ‘are’.

Take the Sleeping Beauty story, for example, but in place of the princess, think of that essential Self we call the soul.

We are born into a magical world, where our childhood is peopled with fairies and wonders. We are given gifts and talents, yet we must grow within our bodies, like the princess in the castle… this is the place we inhabit and come to know as home. As we reach adulthood, the magic fades, or more precisely, our awareness of it fades, clouded by the small doings of everyday, by logic and necessity. Like the princess, something within us falls asleep; we are lost to the song of the soul as the ‘curse’ takes hold… waiting….

 

Around us the thick, thorny wall of ego grows and separates us from the world, holding us prisoner within its bounds. It may bear roses, it may bear fruit… it may sustain a whole ecology of other lives… yet the thorns are there making any passage through them, from the inside or from afar, fraught with difficulty and pain.

The princess’ sleep continues until the prince becomes aware of her and braves the thorns, cutting his way through the briars. Her plight touches his heart and calls to him and in turn he searches until he finds her. It is a quest of love. He has only rumours to guide him, yet he is called to the task.

There is a turning within that calls us too at odd moments, like the whispered rumour of a sleeping princess heard by the hearthfire. We sleep, yet there is something that pulls us, knowing we can wake. Our dreams reach out across our inner landscape and call the kiss of awakening to us… in turn the hero within each of us journeys through the maze of thorns in search of the truth that lies sleeping.

We cannot see what waits beyond the thorns; there may be dragons and ogres… there may be nothing more than a fairytale… or beauty may lie sleeping there in truth. But it is Love that calls us to the quest. We are both Prince and Princess in our own stories and through the reaching out from within, may find that something reaches out to us in equal measure, waiting to awaken us with the kiss of Love. Then, like the phoenix, we can be reborn from our own ashes…

But that is another story…

“What dreams may come…”

From the Big Bad Wolf to Pinocchio, from Ogres and Giants, to the Pied Piper and the Wicked Witch… Have you ever wondered what happens when Beauty sleeps?

Join us for a weekend in heart of Derbyshire to find out…

Awaken the beauty that sleeps within.

What lies beneath the surface of familiar childhood tales? How do these old stories relate to our own lives? What can we learn from the archetypes and recurring themes? What can they teach us about ourselves?

Our workshops are open to all. Using techniques both ancient and modern, we explore the spiritual journey through symbolic stories, meditations and fully scripted ritual drama. No prior experience is needed, just come along and enjoy the weekend!

The weekend runs from the evening of 17th April 2020, to the afternoon of Sunday 19th. Fully catered accommodation is included in the workshop price of £240 – £265. An electronic copy of the workbook for the weekend will be supplied prior to the event, with paper copies available to purchase if preferred.

To read what it is like to attend your first workshop with the Silent Eye, click HERE.

Bookings are now being taken for the Silent Eye’s Annual Workshop 2020.

Click below to
Download a Booking Form – pdf

For further details or to reserve your place: rivingtide@gmail.com

Where Beauty Sleeps

Great Hucklow, Derbyshire

17-19 April, 2020

The Quest for Immortality: Anomalies…

*

Given that much of the Epic of Gilgamesh

has found its way into the Hebrew Book of Genesis

in a somewhat garbled form…

Why, we may wonder,

is the flood story re-told almost word for word?

*

We say ‘almost’ because there are some intriguing discrepancies.

Unlike Utnapishtim, Noah is in no sense regarded as immortal.

The rainbow, as a necklace and love gift of Sky to Earth,

is infinitely preferable to the covenant

of a contrite and remorseful God,

and is also highly poetic.

Yet, as a reason for implementing the ‘catastrophe’

in the first place, noise and godlessness

can be regarded as equally arbitrary?

*

The institution of Patriarchy seems already well established

in the culture that produced the Epic…

The only Goddess to remain on the Divine Council is Ishtar,

although it is apparent that the Moon God,

Nanna, was once also feminine.

Be that as it may a number of Gilgamesh’s titles

still appear to be ironic?

*

With this in mind, in the final analysis,

perhaps, it is not Lords, nor indeed Ladies,

of the Deep which are needed

so much as disseminators of its wisdom,

and that task falls to all those who receive it…

*

Our thanks to those who could not make it but tuned in anyway.

Our heartfelt thanks to those that did make it.

See you all next time!