The Round Ark?

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The story of Noah’s Ark is one of the first Biblical Tales that people in the western world hear.

Yet the story far pre-dates the compilation of that venerable book.

A tablet recently came to light dating back to Ancient Babylonia, that threw the Bilblical account into question.

Not only was the story of the flood far older than the Bible but it appears the Ark was round!…

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Many of the tales we know from the Bible have more ancient counterparts,

including this one which in its earliest known form comprises a part of the Epic of Gilgamesh.

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In this epic, the character we now know as Noah is named Utnapishtim

and it is he who holds the key to immortal life….

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‘Gilgamesh is among the greatest things that can ever happen to a person.’
– Rainer Maria Rilke.

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The Silent Eye’s Spring workshop for 2019

Full details, cost and booking form are available by clicking HERE

 

Hearing Beyond Fear…

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We do not take these things lightly.

We try to approach them as informally as possible.

We want to share their magic and inspiration with others.

We want people to enjoy them as we do, in respect and reverence.

We ask people to give as they receive.

We never ask anyone to do anything we are not also prepared to do.

We never insist they take part in any of the exercises or meditations.

We meet always as a community to share our experiences and to learn.

We leave in peace and harmony.

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Chief Prince of Pen Rhionydd…

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D: Before Merlin was a soothsayer he was a miraculous child who solved the mystery of Vortigern’s Tower.

W: What mystery was that?

D: Every time the tower was raised by Vortigern the hill on which it was built swallowed the tower whole.

W: And the answer to that mystery?

D: The answer to the mystery was that the hill was hollow…

and in the hollow of the hill was a pool…

and in the pool two stones languished…

and in each of the stones was a dragon struggling to get out.

One Dragon was White, and the other Dragon was Red.

W: And what was done to reveal this mystery?

D: The Hill was excavated…

The pool was drained…

The stones were pulverised… and the Dragons loosed.

W: What happened then?

D: The Dragons contended… and became One.

W: Thus, the braided tower was raised upon the hill… and remained.

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Magic and Mystery…

Each year, the Silent Eye holds several events, open to all, where you can come along and meet us, find out what we do and how we work. Our annual Derbyshire workshop is a residential weekend, in which we use the ancient technique of sacred drama as a means to explore spiritual concepts that are relevant to our daily lives in this modern world.

Throughout the year, we also run three informal workshops, visiting historic, ancient and sacred sites in some of the most beautiful corners of the British landscape. The land itself, and the marks mankind has written upon it, can teach us a great deal about who we are and how we can more fully embrace our own chapter in the greater human story.

We have recently announced new events for 2019 and places can now be reserved for all our workshops. The weekends are informal, no previous knowledge or experience is required. We ask only that you bring your own presence and thoughts to the moment. Full details, costs and booking forms are available on our Events page.

castlerigg

Full Circle? – Finding the way home…
Penrith, Cumbria, Friday 7th – Sunday 9th December, 2018

Home. It is an evocative word. The images it conjures are different for each of us, yet few other words touch heart and mind in quite the same way. Birth and death, laughter and love, longing, fear and aspiration… the cycle of human life plays out within its walls.

For many, there is another ‘home’ beyond the physical confines of this world. That too may seem different for each of us and the path it its threshold is shaped by dreams. Few places illustrate this as clearly as Castlerigg, an ancient stone circle ringed by mountains and one of the most spectacular sites in the country.

The people who have walked this world before us have left traces of their lives and belief, written in stone upon the landscape. From church to stone circle, castle to cavern, finding the way home has always been intimately linked with the land. Join us in a winter landscape to explore these hidden pathways of mind and heart.


Lord of the Deep

The Silent Eye Annual Workshop
Great Hucklow, Derbyshire. Fri 26- Sun 28 April, 2019

‘Gilgamesh is among the greatest things that can ever happen to a person.’
– Rainer Maria Rilke.

A workshop based upon the Epic of Gilgamesh, the oldest written story known to man…
What spiritual treasures lie hidden in this, five thousand-year old, Epic?
What can this ancient civilisation teach us about the questions of existence?
Join us on this quest of a life-time, next April, to find out…


The Silent Unicorn
A joint magical workshop between Lodge Unicorn na h’Alba and The Silent Eye.
Grantown-on Spey, Northern Cairngorms. 14-16th June 2019

Join us in the northern Cairngorms where, from mountain to coast, we will explore the magic of Macbeth Country in a triangle from Cawdor Castle to Findhorn Beach, down to Glenlivet. Through the Archetypes of Lord and Lady Macbeth, the Witches, King Duncan and a Unicorn! We will use the writings of The Scottish Play and other media to discover these characters within us…..


Rites of Passage: Seeing beyond Fear
Derbyshire, Friday 13th – Sunday 15th September 2019

We are all afraid of something. There are the fears of the everyday world, from arachnophobia to a fear of the dark, and the deeper fears of the personality, that play upon the mind and heart.

What purpose might such fears serve, beyond protecting us from potentially harmful situations? How have our ancestors addressed such fears across the centuries? Can we learn from the past a way to see beyond our fears to a future lit by serenity and hope?

Come along and join us for the weekend!

The Anunnaki…

 

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The Anunnaki… Cometh!

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…They drinketh the dew of Heaven.

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…They eateth the fruit of Earth.

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LORD OF THE DEEP: THE QUEST FOR IMMORTALITY
A DRAMATIC RETELLING OF THE EPIC OF GILGAMESH

The Oldest written story known to man…
What spiritual treasures lie hidden in this, five thousand-year old, Epic?
What can this ancient civilisation teach us about the questions of existence?
Join us on this quest of a life-time, next April, to find out…

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‘Gilgamesh is among the greatest things that can ever happen to a person.’
– Rainer Maria Rilke.

Fully catered weekend package, including room, meals and workshop: £235 – £260

Click here to download Booking Form

Contexts: scribes…

Image result for sumerian cylinder seals - beer and planets

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With the advent of cuneiform, the Oral Tradition continued to develop alongside ‘written literature’, but the primary purpose of recording stories in writing was not necessarily to supply individual readers with a coherent or connected account of ‘historical’ events.

Ancient stories were used for a multitude of purposes, often in extracts attached to ritual, to give authenticity, or to provide an aetiology, i.e. a reason for the way things are as they are, to lend weight to ancient traditions, or customs, or to an incantation.

Many of the ancient scribes were Incantation Priests.

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“When in doubt,” smiles Wen, producing a battered copy of Longmans from the murky depths of her shoulder bag, and, rather too conspicuously, for my liking, clearing her throat…

Sure enough, this unwarranted live event has now started to draw the attention of some idle strays who sidle over and form a crescent around Wen as she finally gets her reading specs onto her conk and launches into the definition…

“Incantation – noun the use of spoken or sung spells as part of a magic ritual; also, a written or recited magical formula of words designed to produce a particular effect fr Latin incantus, past participle of incatare, to enchant…”

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“That’s not too bad, considering,” I concede, after I have finished dragging Wen away from our unsolicited audience of now somewhat bemused looking spectators.

“It’s bloody brilliant,” says Wen, “and so precise!”

“A chorus, it is then.”

“The chorus is Greek,” says Wen, “So we may have to call the chorus, ‘the fates’.”

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LORD OF THE DEEP: THE QUEST FOR IMMORTALITY
A DRAMATIC RETELLING OF THE EPIC OF GILGAMESH

The Oldest written story known to man…
What spiritual treasures lie hidden in this, five thousand-year old, Epic?
What can this ancient civilisation teach us about the questions of existence?
Join us on this quest of a life-time, next April, to find out…

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‘Gilgamesh is among the greatest things that can ever happen to a person.’
– Rainer Maria Rilke.

Fully catered weekend package, including room, meals and workshop: £235 – £260

Click here to download Booking Form

Contexts: creation…

Image result for sumerian cylinder seals

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‘In Mesopotamian mythology a Mother Goddess, with the assistance of a God of Wisdom created men out of clay, mixed with the blood of a slain God.

The Primeval male and female human beings were not allotted a life-span.

People originally only died as the result of natural disasters such as plague, famine or flood, or by internecine strife.

The Epic of Gilgamesh culminated with the introduction of a limited life-span for Mankind.

Man’s original purpose in being was to relieve the Gods and Goddesses of hard labour.

Gods and Goddesses associated with birth and fertility were also patrons of mining, smelting, and metal work.’

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“We find the information contained on this board to be ever so slightly uncomfortable.”

“It’s slave mentality.”

“And it’s metallic mind.”

 “’The blood of the slain God’ is perhaps most perplexing.”

“It might be more than that if the Gods were Planetary Beings.”

“How so?”

“There is an asteroid belt orbiting the earth which some claim used to be a planet.”

“Which makes my next question even more pertinent.”

“Shouldn’t that be impertinent?”

“Who, or what, slew the God?”

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LORD OF THE DEEP: THE QUEST FOR IMMORTALITY
A DRAMATIC RETELLING OF THE EPIC OF GILGAMESH

The Oldest written story known to man…
What spiritual treasures lie hidden in this, five thousand-year old, Epic?
What can this ancient civilisation teach us about the questions of existence?
Join us on this quest of a life-time, next April, to find out…

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‘Gilgamesh is among the greatest things that can ever happen to a person.’
– Rainer Maria Rilke.

Fully catered weekend package, including room, meals and workshop: £235 – £260

Click here to download Booking Form

Religious Syncretism: a proper priest…

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… “What are you talking about?”

“A question of questions, young Wendolina, the answer to which may serve as a stunning proof of our original assertion.”

Your original assertion, which was posed as a question anyway. And I’m older than you are.”

“Yes, yes, dearest Wendlebury. There was a need for the razor ban, in order, to achieve assimilation. The original model for Samson wasn’t Gilgamesh at all, it was his ‘alter-ego’, the wild-man, Enkidu, who in the words of birds-feet etched into tablets of baked-clay over four thousand years ago, possessed long hair like a woman and an excessively hairy body.”

“In that case the ‘jaw-bone’ may well be a form of boomerang…” muses Wen, and then, “Birds Feet?”

“Cuneiform.”

“If I wasn’t so confused, I’d be tempted to jump up and down,” says Wen.

“Two-thirds animal, one-third man.”

“Ah,” says Wen, the light of comprehension settling down to roost in her visage, “I knew the British Museum would be a good idea.”

“Rule Britannia!”

“Are we allowed to be rational for a moment?”

“We would not expect you to be anything else.”

“If we consider Enkidu who is two-thirds animal, one-third man, together with Gilgamesh, who is two-thirds divine, one-third man, and treat them as one whole man, we get a ruler who is one-third animal, one-third divine, and one third man.”

“The idea was to create harmony out of an imbalance. On his own Gilgamesh mistook arrogance for strength and had become a tyrant and tormentor of his people.”

“But the constructor of this tale would have to be a psychologist of far greater acumen than Carl Gustav Jung to have come up with that device.”

“But it gets better. The harmony doesn’t last for long. The human part of Gilgamesh corrupts the animal part of Enkidu and as a result, together, they visit an ecological disaster upon their civilisation.”

“This story is how old?”

“About four thousand years.”

“It’s not only high genius, it’s also pertinent.”

“Genius is always pertinent.”

“Do we know who the author is?”

“Do we ever know who the author is?”

“Do we know who the author is purported to be?”

“Gilgamesh existed as the legendary protagonist in a number of Sumerian poems long before ‘his story’ was turned into an ‘epic poem’.”

“So, who turned it into an epic poem?”

“The compiler of the first ‘epic’ now referred to as the Old Babylonian Version is unknown.”

“And the later version?”

“Five hundred years after the Old Babylonian version had been circulated a ‘scholar-priest’ called Sin-leqi-unninni revised and elaborated it.”

“Another name to conjure with.”

“Sin-leqi-unninni’s epic is now regarded as the Standard Version.”

“And in some quarters, at least, he is regarded as a genius with greater psychological acumen than Carl Gustav Jung.”

“Well, he was a priest.”

“A proper priest.

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LORD OF THE DEEP: THE QUEST FOR IMMORTALITY

A DRAMATIC RETELLING OF THE EPIC OF GILGAMESH

The Oldest written story known to man…
What spiritual treasures lie hidden in this, five thousand-year old, Epic?
What can this ancient civilisation teach us about the questions of existence?
Join us on this quest of a life-time, next April, to find out…

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‘Gilgamesh is among the greatest things that can ever happen to a person.’
– Rainer Maria Rilke.

Fully catered weekend package, including room, meals and workshop: £235 – £260

Click here to download Booking Form

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Religious Syncretism: iconotropy…

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… “Is he meant to be a giant?”

“In the story he is two-thirds divine, one third-man.”

“Which doesn’t actually answer my question.”

“I don’t know, is he meant to be a giant?”

“Ah, I see… Well, if that is a full grown lion, then he is very definitely a giant.”

“The Hebrew story-tellers saw fit to make the lion, a cub.”

“With the express aim of de-gigantisising him I expect.”

“Is that a word?”

“I shouldn’t think so.”

“So why would they downsize him?”

“Because the strength of their hero didn’t come from his size. It came from God.”

“The Spirit of the Lord.”

“The Spirit of the Lord, that’s right.”

“But if Gilgamesh is two-thirds divine, doesn’t his strength come from ‘God’ too?”

“Gilgamesh has a divine mother, Ninsun, and a father who was born human but later became divine.”

“Ninsun, is a name to conjure with,” murmurs Wen and then, “this becoming divine business is interesting.”

“And the crux of their reasoning for a change. The Hebrews did not go in for that kind of truck with the Gods. Their God was transcendent. Only his feminine aspect was immanent and because of that she was not regarded as a Goddess. She was known as the Shekinah but even this, later became all but forgotten. At least officially.”

“That is not the jaw-bone of an ass is it?”

“I very much doubt it.”

“Do we have any idea what it actually is?”

“Nope. None whatsoever, but I expect it will reveal its identity at some point during the proceedings.”

“Research!” proclaims Wen, triumphantly.

“If you insist,” but this is a form of research too. The Greeks called it dialectic… three, six, nine… lots of maybe’s, lots of supposes…”

“So, why should transcendence be considered the ‘be all and end all’?”

“I don’t know, why should transcendence be considered the ‘be all and end all’?”

“Well, it has to do with the outer, and hierarchy, and objectivity.”

“None of which are intrinsically unsound concepts.”

“Until they are regarded as ends in themselves and not as integral parts of process and cycle. I like his hair.”

“Not so sure about the chain-mail beard though.”

“Did Samson have a beard?”

“I expect so, although I suspect the ban on the razor only extended to his head.”

“Oh really, and why would one suspect that?”

“I’m not totally sure, but I think it has something to do with the sun, and its rays.”

“If most of the Hebrew males wore long hair and beards anyway, why was there a need for the razor ban?” pondered Wen.

“Ah, is that the sound of trumpets scaling the ramparts of heaven?”

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LORD OF THE DEEP: THE QUEST FOR IMMORTALITY

A DRAMATIC RETELLING OF THE EPIC OF GILGAMESH

The Oldest written story known to man…
What spiritual treasures lie hidden in this, five thousand-year old, Epic?
What can this ancient civilisation teach us about the questions of existence?
Join us on this quest of a life-time, next April, to find out…

*
‘Gilgamesh is among the greatest things that can ever happen to a person.’
– Rainer Maria Rilke.

Fully catered weekend package, including room, meals and workshop: £235 – £260

Click here to download Booking Form

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