Seed Thoughts…

  1. The Outer is reflected Emotion…
  2. The Inner is reflected Form…
  3. The Outer reflects the Inner and the Inner reflects the Outer…
  4. The Principles: work not for themselves but for others.               The Companions: work not for others but for themselves.
  5. The Red, The White and The Green…
  6. ‘For the Druids physical death represented the mid-way point in the very long life of a Soul.’

*

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The Last Post?

Gawain's last post

We are now only two days away from the Silent Eye’s 2016 workshop, Leaf and Flame, organised by my two co-directors of the Silent Eye School of Consciousness Stuart France and Sue Vincent.

I have the dubious honour of having the largest vehicle. Tomorrow, I will spend five hours or so loading the major fixtures needed to create the Temple of the Mysteries that we use to stage our magical dramas. On Friday morning, very early, I will collect the single passenger needed to fill up the one seat not taken up by the fittings, and we will journey to the lovely village of Great Hucklow, and the wonderful Nightingale Centre, home of the last three of the Silent Eye’s annual workshops.

This year’s Leaf and Flame event tells the Arthurian story of Sir Gawain and his doomed quest to protect King Arthur from the consequences of accepting the Green Knight’s beheading challenge. Essentially, the Green Knight, riding into Camelot on New Year’s Day, challenges any of the Knights present to chop off his head; as long as he may do the same a year from then. Sensing extreme trickery, Gawain persuades King Arthur that he should not accept the challenge, but let it fall to himself (Gawain) instead.

We may assume that Gawain was suspicious of the actions of the green giant, but did not want to expose his beloved King to the dark forces involved. Sure enough, having chopped the head from the otherwise peaceful invader, Gawain awakens to a scenario of horror as the Green Knight picks up his severed head and rides out, stating that he’ll see his failed executioner in a year’s time, at a place called the Green Chapel, for the return blow – a blow that Gawain knows he does not have the magic to survive.

And so the scene is set for a mysterious series of adventures, culminating in a frozen and nearly dead Sir Gawain, in honourable search for the Green Chapel to surrender his life, arriving at an unknown castle and being taken in by the Lord and Lady who run it. They thus save his life and assure him that he has time, before paying his grisly debt, to recover amidst their generous hospitality, as the mysterious Green Chapel is nearby.

In return for this rescue, the Lord proposes a game: that, on each of three days’ hunting that follow, he will give to Gawain everything he wins. In return Gawain is to give to him everything that he receives, during his recovery in the warmth of the castle. So far so good, but when the Lord has left to hunt, the following morning, the Lady of the castle steals into Gawain’s bedchamber and attempts to seduce him… There follows a verbal fencing match where Gawain, decidedly under-dressed under his bed covers, is kept prisoner by the Lady while she works her seductive mischief. The original 14th century text is cleverly composed to show how the Lady changes strategies several times to try to outwit Gawain, who clings to his Knightly principles in what he senses is a losing game…

For three days, this twin metaphor of hunting and seduction is played out, with Gawain finally succumbing either to a magical token (the Lady’s garter) that may just help him survive his immanent beheading at the hands of the nearby Green Knight; or to sex with the lovely seductress. The interpretation relies very much on your point of view of the mores of the medieval times. Sex and Death were common themes, particularly in those tales that derive, as does the story of Gawain, from older Celtic traditions, where plain-speaking was the norm.

A similar historical eye is needed for the details of the Lord’s grisly hunting scenes, which otherwise might seem unnecessarily bloodthirsty…The original story was written about a time not long after the Norman invasion, where a strict code of hunting rewards were part of the hierarchy of the controlling elite.

I will not finish the formal story, as Leaf and Flame is not exactly sticking to the original plot, instead, as I wrote to a friend, earlier:

“In the hands of Stuart and Sue, The Leaf and Flame story of Sir Gawain becomes a sophisticated tale of the different ‘selves’ of the human; from the ‘lower’ and animalistic levels (and, below that, the foundation of survival, itself) to the assumed higher and intellectual levels. In the ‘middle’ we have the powerhouse that is the emotional ‘self’. The three ‘levels’ are not necessarily to be seen as stacked vertically…nor in the order given above..

The five act mystical drama follows the initial beheading of The Green Knight (who does not die, but rides off with his head under his arm) to the subsequent trials of Sir Gawain, who volunteered to enter this cursed action to save the honour of King Arthur. In the 14th century original, Gawain is ‘nicked’ on the neck rather than beheaded, following a partly successful seduction by the wife of a noble related to the Green Knight. Along the way, Leaf and Flame weaves in the story of Lady Ragnell, a woman cursed to be ugly to her suitors until one breaks the spell, thus freeing her to be what she is…

The greater story is that of the impossibility of divorcing the different elements of the ‘Whole Human’ whose nature has to be realised, in the words of Sue and Stuart, as “Fully human and fully divine”. The workshop is a cryptic journey through all these levels and how they operate within the life of, in this case, one victim, played by at least two people – Sir Gawain and his alter egos. Of his survival or not, I cannot speak, since my parters are keeping me in ignorance! I can only say that I sense some horror ahead; and that they are not necessarily keeping to the original story!”

I am, as you may have guessed, playing the part of Sir Gawain… it was not my idea, but my active acceptance of the doom ahead (whatever that turns out to be–and I really do not know the important details) needs to be a fitting tribute to their wonderful efforts. Whatever my ‘loathly end’ turns out to be, it will be followed by one of the most spectacular outside fire-dances, in the form of a performance by the mysterious Langsett Fox Dancers, whose dramatic performance will light up the night, though I probably won’t be there to see it, so to speak…

Now, if you’ll excuse me, I believe I have an appointment with a grisly end and this may well be my last post…

Can micro-surgery stick heads back on, yet?

Normal service will be resumed, hopefully, next week…

The Silent Eye’s 2016 Summer pre-solstice event

 

St David's montage

Shake off the Winter blues – Anticipate the Summer ahead and book now for the Silent Eye’s 2016 pre-Solstice weekend, “Whispers in the West”, to take place in the ancient landscapes of Pembrokeshire, West Wales,  June 17-19, 2016.

We will base ourselves in the ancient Celtic city of St David’s, near to the cathedral, whose site dates back to the 6th century. St David’s will be the main focus of the Sunday morning walk and talk. The ancient city offers a good choice of hotels and well-priced guest houses as well as a choice of restaurants.

From the magical traces of the ancient Druids, through the splendour of St David’s Cathedral to the modern and unchanged landscape of Pembrokeshire, the weekend has much to offer.

We will be conducted by a local member of the Silent Eye School who knows the landscape and its history well.

Our outline itinerary is:

17-19 June, 2016

Friday Afternoon 17 June

Drive to Whitesands beach – ice cream

Walk to St David’s Head – hut circles – Coetan Arthur burial chamber

Dinner in St David’s

Saturday 18 June

Drive to Newport via Carreg Samson and Carreg Coetan Arthur burial chambers

Walk up Carn Ingli for magnificent view

Drive to Pentre Ifan – the most impressive chamber in Wales

Drive to Nevern church – Ogham stones – bleeding yews

Drive to Cwm Gwaun for a drink at Bessie’s pub

Drive to St Gwyndaf’s church at Llanwnda near Strumble Head

Dinner at The Sloop in Porthgain or St David’s

Sunday 19 June

Walk to St Non’s – new chapel – old chapel – well

Walk to Cathedral and Bishop’s palace

Lunch in the refectory

Walk along to the bridge and up Quickwell Hill

(If people want to stay into the afternoon there is a lovely boat trip round Ramsay Island)

The cost to attend the weekend is £50.00. Hotel and meals are not included in that figure and those attending need to make their own accommodation arrangements.

Register your interest via email to rivingtide@gmail.com

(Images from Wikipedia, used under Creative Commons license)

Animal Magic #3…

Ravenstone

(Photo – Sue Vincent)

…Taking his cloak, his horn, and his clarsach, Gwythyr went to
Red Bull, “I have come to ask whether or
not you know the whereabouts of Big Chief Hawthorn, and
his daughter Creiddylad whom I am destined to sleep with?”

Said Red Bull, “When first I came here
there was a plain with no trees save for a solitary sapling,
and the sapling grew to be an oak of one hundred branches,
but now all that remains of the oak is a withered stump, and
from that day to this though I have heard tell of such a man,
I have never yet come across him of whom you inquire.”

Said Gwythyr-the-Bright, “O Mighty
Bellower of the Open Field will
you tell me what you know?”

“Indeed I will young Gwythyr but what I have heard
will not be easy on your ears, for it is said, that with
him, none can keep pace on horse-back or on foot;
and so lightly does he tread that the grass
neither breaks nor bends beneath his feet;

and that if his way lies through a wood
he goes along the tops of the trees;

and he is as good a guide in the land never seen
as in his own, and that, young Gwythyr, is all I can tell you
but White Raven may know more of him than I do.”

So Gwythyr took his cloak, his horn, and his clarsach, and he
went to White Raven, “I have come to ask
whether or not you know the whereabouts of Big Chief Hawthorn,
and his daughter Creiddylad whom I am destined to sleep with?”

Said White Raven, “When first I came here that wide
valley below was a wooded glen which when the race of men came they
rooted up, and there grew a second wood but that too the race of men
up-rooted, so that the wood you see before you is the third that has
grown here, yet in all that time though I have heard tell of such a man
I have never yet come across him of whom you inquire.”

Said Gwythyr-the-Bright, “O Great
Gorger on the Field of Battle will
you tell me what you know?”

“Indeed I will young Gwythyr but what I have heard
will not be easy on your ears, for it is said that from
him none can wrest a smile until he is satisfied:

and that when sad his bottom lip
drops below his waist like a belt,
and when angry his top lip rises
above his head like a cap;

and that when visiting he leaves not
cooked nor raw, nor fat nor lean, nor
cold nor hot, nor sweet nor sour;

and that when at home he feasts
until noon, drinks until night,
and then devours the heads of vermin,
and that, young Gwythyr, is all I can tell you, although Yellow Owl may know more of him than I do.”…

Crucible of the Sun

12

 Weekend of 22-24 April, 2016.

Great Hucklow, Derbyshire Dales. England.

Click the image for further details of this weekend workshop with the Silent Eye

and a special appearance by Mister Fox.

foxy wedding 222

Leaf and Flame: The Foliate Man #2

2

“…where strange things, strife and sadness,

at whiles in the land did fare,

and each other grief and gladness

of fast have followed there…”

– J.R.R Tolkien

#2 Hart to Heart

…“In which the Ladies of the Round rediscover the Tale of Blessed Bran, Merlin and the Lady re-convene the Assembly of the Wondrous Head, King Arthur and his Knights go hunting and Gawain enters the Enchanted Forest in pursuit of the hart and stumbles upon another ‘Death-Pact’ the solution to which lies in the discovery of the correct answer to an elusive riddle.”…

The eyes have been dotted, the tees have been crossed, to all intents and purposes the ‘donkey work’ of writing the five dramas for next year’s April Workshop: Leaf and Flame- The Foliate Man has been done. There will undoubtedly be minor changes between now and then, there always are and these are usually flagged up in the communal read throughs which will take place at our three remaining monthly meetings.

There is still an awful lot of work to be done in terms of music, props, costuming and the presentations which are used throughout to properly set the tone and theme for the weekend…

But more importantly what we really need now is… people!

So, what are you waiting for?

12

 Weekend of 22-24 April, 2016.

Great Hucklow, Derbyshire Dales. England.

Click the image for further details of this weekend workshop with the Silent Eye

and a special appearance by Mister Fox.

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Station to Station XIV…

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A Psychological Interpretation

Pontius Pilate = Super Ego
Jesus = Ego
Water-Bearer = Id

There has always been debate about the number of Stations…
Is it fourteen or is it fifteen?
And what is a station anyway: a stationary point in the journey or a passage from one point to another?

Sensibly, The Condemnation, and the Receipt of the Cross must start the sequence, in that order, and also sensibly the Nailing, Death, Deposition and Entombment, in that order, must end the sequence unless one wishes to posit the un-canonical episodes as visions on the cross which we do not…

Which leaves eight icons and eight is the ‘Jesus number’.
It is difficult not to have the Stripping before the Nailing…
…which leaves seven icons.

Meeting the mother must come after the receipt for the cross is the symbol of the mother or of what she gives and the first fall follows for who wouldn’t stumble under the burden of such a weight?

Next come the women and Jesus’ injunction may simply be a statement which is followed by another fall for who could be so bold without being brought back down to earth?

Next comes Veronica who really provides the key and she is followed by another fall but by this time it no longer really matters which is where Simon comes in…

Simon stands in the same relation to Jesus…
…as Jesus stands in relation to Joseph.

Joseph = Higher Self

Simon = Lower Self

Strangely enough Jesus’ garment at the Condemnation more closely resembles the winding sheet of the tomb than the robe of the stations…

‘…And the end of all our exploring
Will be to arrive where we started
And know the place for the first time…’
– T.S. Eliot, The Four Quartets

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Station to Station XIII…

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Proverbs

You are like a fruit picker who loves the fruit but hates the tree.

You examine the face of heaven and earth without recognising
the one who is in your presence,
for you do not know how to examine the moment.

Know what is in front of your face,
and what is hidden from you will be disclosed.

What you look for has come but you do not know it.

The one who knows all but lacks the self is utterly lacking.

Come to me for my yoke is easy and my mastery gentle…

Dark Sage

Station to Station XII…

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Visualisations

Imagine the events represented by the icons playing out like a cinematic film in your mind’s eye.

Clearly visualise all the depicted figures as they are given and what happens to them as the cinematic story proceeds.

If some of the figures appear to flit in and then out of the scenes re-arrange the scenes so that their appearance is consistent with a design and purpose.

When the story is complete run and re-run it from start to finish.
Imagine being each and all of the figures in turn.

At the end of this process imagine being an objective observer of events.

Dark Sage