I never really got contentment. “Are you happy?” I once asked a friend. “No, but I am content,” was his reply. To me, it wasn’t enough. It seemed like accepting some kind of mediocrity. I was young then and life was lived in all the vivid hues of passion. Emotion ran sky high or hit the depths… the times in between were bland, a mere waiting for the next rise and fall of the rollercoaster.
Emotions, back then, were all sharp-edged, like a cubist painting… and like such works, always disassembling the object of them to examine them from every angle. Some of the edges were so sharp you would bleed if you touched them… but you were alive. There were no in-between days of grey and dun.
A little older and the days took on a greater realism. The consequences of action and reaction were more direct as the responsibilities of adulthood were revealed in stark detail. Like looking in the mirror, these days reflected back at you only what you projected into them. The colours were still sharp; the detail and emotion clear… all the edges well-defined. A delineated life, with specific duties… niches for the fragmented self that is required by the roles demanded by the varied aspects of a society that likes to label everything.
But even that changed, morphing into abstraction where the lines and stark hues threw everything into question and the secure assumptions of youth that had flown direct as arrows suddenly seemed to realise that infinity is not a straight line. Stubbornly held beliefs were taken out of the strongbox and held up to the Light. Some were found to be tarnished, others broken, some simply too outmoded to be of any pertinent use. Yet there is a freedom in that de-cluttering of heart and mind, a simplicity that leaves much open to interpretation and, like a gallery, the fewer you hold on to, the more you can begin to appreciate what remains in all its glory.
These days I have a preference for a more Impressionistic style. I like my edges softer, the detail less focussed. I like to be able to stand back and lose myself in the moment in order to see a bigger picture, full of suggestions and possibilities half-glimpsed; open to the imagination and the emotional whispering of the heart-centred soul. There is something about this time that both softens and excites. I find that I like the lack of definition, the gaps only my heart and mind can fill. Instead of wondering about the name of the artist, I ask instead what message they were trying to convey.
And finally, I know contentment. It is not that there is nothing I could wish had been different. Nor is it that there is no looking back in the knowledge that I could have done things differently… for better or worse… Yet there is an acceptance that everything has its purpose. Like the myriad dots of a pointillist painting, each speck of experience may seem out of place when looked at too closely in time and emotion, yet stand back and the colours of the days blend and merge into something beautiful, understandable and whole, where every scrap of colour is in the perfect place.
There is a new beauty… and it is far from the mediocrity of my youthful disdain. The colours of this new world are deep and rich, their contrasts sing against each other, dark illuminating light. I can see that both are needful and their harmony beautiful. The detail fades in importance; the whole is where the story lies, waiting for our eyes to read it on a wider canvas than the frantic myopia of youth can encompass. The frame of my days holds a beauty only the heart can see and its starry skies are streaked by the fingertips of the creator.