The Alchemist: Last Judgement…

File:Gargoyles, Notre-Dame, Paris (3584514985).jpg - Wikimedia Commons

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Perhaps, taking his cue from what little was left of the Mediaeval originals,

Viollet-le-Duc incorporated and emphasised horns, and claws, and talons,

and tusks, and fangs, and beaks, and raised heckles, in his grotesques.

Even the feathers of the birds resembled scales, or chain-mail.

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Gargoyles of Notre Dame Cathedral - Album on Imgur

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Nature for the denizens of the two towers, which between them

encompassed the directions of West, North and South,

appeared to be red in tooth and claw,

with little or no desire to transcend that state.

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As monsters of the human mind, presumably,

this state also applied to the collective psyche,

and was, perhaps, forever exemplified by the

 inhabitants of Paris who moved through the streets below,

and over whom the grotesques so rapaciously brooded.

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Nevertheless, the monsters became objects

of deep and prolonged fascination for both Parisians

and those who came from much farther afield

to climb the spiral-stairwells, and gawp.

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File:Gargoyle, Notre Dame, Paris, France, about 1870.jpg - Wikimedia Commons

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Many of the fantastical beasts had captured prey,

and feasted, ravenously, some of them fought,

others appeared to be in the process of hunting.

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This is quite deliberate and contrasts with the Angel of the East

which sounds its heavenly horn to announce the Last Judgement.

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Parution du second volume de la biographie de Fulcanelli | Toison d'Or

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Behind Gabriel, arrayed along the length of the base of the harmonious spire,

pointing the way of ascent, stand the apostles, upright, and serene.

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But wait, what of the Christ Spirit?

Should not it too have been there?

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Folded Victory: Gargoyles at Notre-Dame de Paris | Gargoyles, De paris, Lion sculpture

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Oh, but it was…

It was one of the grotesques!

A Harmony of Eight…

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The point sits at the centre of the square,

where its two diagonals intersect.

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From the same intersection, another square

can be drawn at right angles to the first.

Like this, we create eight equidistant points.

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By taking the original squares and extending all

eight sides, a new set of intersections is generated.

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The new Octagon, bigger than the first,

 is perfectly derived from its archetype.

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https://silenteyeblog.files.wordpress.com/2017/09/domeplan.gif

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Extending the sides of the Octagon generates another pair of larger squares.

The pattern is infinitely extendable around the point of origin with

perfect symmetry in every direction…

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A point indicates a location in space which is present but has no dimension…

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https://silenteyeblog.files.wordpress.com/2017/09/dragon.jpg

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The Alchemist: ‘A Violet Duke’?…

Eugène Viollet-le-Duc - Wikipedia

Architect in the guise of Thomas-the-Apostle.

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If our Alchemist was pulling his beard,

it would be because he and the grotesques surrounding him

on the tower balustrades of Notre-Dame, Paris,

were not actually mediaeval statuary at all,

but nineteenth-century restorations.

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Charged with the task of renovation, in eighteen-hundred-and-forty-four,

Eugene Viollet-le-Duc, found only the stumps

of claws and talons on the tower corners

but with the help of a body of stonemasons

he set about re-envisioning the cathedral’s mediaeval past…

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File:Gargoyles and chimeras 1, Notre-Dame de Paris 2011.jpg - Wikimedia Commons

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They did a pretty good job!

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If our Alchemist was tugging at his beard,

it was doubtless because

he was not an alchemist at all,

but the wandering jew, Ahaservus,

as some have made claim, doomed to wander

the annals of time forever in search of his messiah…

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Gargoyle Notre Dame - Free photo on Pixabay

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But, well, really, our ‘Violet Duke’

had put enough occult blinds in his work

to obscure the Christ Spirit itself,

though that was far from his intent…

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And if our Alchemist was stroking his beard?

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If he was stroking his beard he too would be

contemplating the prospect of statuary which

had been spread out before him but apparently

just out of both reach and gaze of scrutiny.

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Notre-Dame de Paris - Wikipedia

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The restoration undertaken by Viollet-le-Duc

included a reconstruction of the cathedral’s central spire

which had been dismantled in seventeen-hundred-and-ninety-two,

and repair of the angelic horn-blower which topped the apex of the nave.

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The spire he made octagonal and along four of its edges,

he placed copper-statues

of the Evangelists, and the Twelve Apostles.

Instead of Judas Iscariot, though, he included a self-portrait,

in the guise of Thomas-the-Apostle.

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Unlike all the other figures who faced outwards

and looked far and wide to the horizons of Paris

Viollet-le-Duc faced the spire and looked up to the heavens.

Except, he appeared to have his eyes closed,

and raised an uncertain hand to his forehead in a gesture of concern.

Was he straining to hear something indistinct from above?

Had he just been struck by an omission of extreme importance?

Or was this merely Thomas-the-Apostle in the throes of his doubt?

The Alchemist…

L'Alchimie de Notre Dame de Paris – La Nuit / La Nuit

A drawing by Julien Champagne.

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Why would the Mediaeval Stonemasons sculpt figures

on the top of their buildings which no one can see from the ground?

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Like some church towers, it was possible to scale

the towers of Notre Dame, Paris, and acquire a closer view

of the sculpted forms which inhabited its roofscape.

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Should this endeavour be approached in a symbolic frame of mind,

it might be useful to regard the spiral staircase which led there,

as a series of right-angles arranged around a lineal ascent,

and to take note of how many steps were required to reach the top.

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Any work of alchemy

unfolds in a series of steps,

or processes…

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The steps themselves might be regarded

as achievements or ‘crowns’ upon the Royal Way.

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And when one reached the top?

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Of the figures on the square-sided towers

only one was nominally human.

There is no doubt, therefore, that we would

be meant to identify with him…

Julien Champagne’s illustration, above,

is a masterful representation.

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Our ‘inner’ alchemist for such as he been designated,

primarily because of his Phrygian Hat, or ‘liberty cap’,

his liberia, was nevertheless a curious figure.

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Did he stroke, tug at, or pull his beard?

All three of these actions have different connotations.

Did he strain forward to see, or call out to, or even warn,

someone below, who was ascending to reach his position?

From a different perspective his mouth can be seen to gape wide.

Was that person, if person there was, ascending to save or release him?

Or merely to question him about the strange company he kept?

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File:Chimera of Notre-Dame de Paris.jpg - Wikimedia Commons

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All the other figures that peered from the parapets

of the towers alongside the Alchemist were what might be termed

grotesques, they were certainly not gargoyles,

for gargoyles are water-channels of which these figures have none.

Most of them also appeared

to be displaying a predatory or demonic nature.

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File:Gargoyles of Notre Dame.jpg - Wikimedia Commons

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Ever vigilant over the movements of humanity,

in the busy metropolis beneath them, some of them fed…

The Alchemists: Isaac Newton…

Sir Isaac Newton (1643-1727).jpg

Portrait of Isaac Newton aged forty-six years by Godfrey Kneller.

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‘Newton was not the first of the age of reason. He was the last of the Sumerians…

The last great mind which looked out on the visible world with the same eyes

as those who began to build our intellectual inheritance ten thousand years ago.’

‘Newton the Man’, J.M. Keynes.

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Isaac Newton was born on Christmas day, 1642. At first his genius seemed more mechanical than intellectual. He constructed water works, windmills, kites and sun dials, but nurtured by the King’s School at Grantham his intellectual prowess and prodigious powers of concentration gradually became apparent. A maternal uncle intervened and had him prepared for Cambridge, to which seat of learning, young Isaac went up in 1661.

Stimulated by the Cartesian ferment in physics, philosophy and mathematics, by Kepler’s optics and laws of planetary motion, and by Galileo’s mechanics, the young Newton soon tackled and solved many of the physical and mathematical questions of his contemporaries. In January 1665 Newton took his Bachelor of Arts Degree but in the summer of that year he was compelled to retire to his home at Woolsthorpe as the University was closed due to an outbreak of the plague. It did not reopen again until 1667 but rather than hinder Newton’s progress, this enforced confinement at his mother’s manor proved to be his making. During this time he invented calculus, discovered that white light comprised all the colours of the spectrum, and found out a mathematical law for gravity.

Rather than trumpet these discoveries in 1667 he returned to Cambridge, quietly proceeded to his Master of Arts, was elected to a College Fellowship and settled down. In 1672 Newton disclosed some of his optical discoveries to the Royal Society and was immediately elected a Fellow of that illustrious company but it was not until 1684 that the full extent of his gravitational studies came to light. At the insistence of Edmund Halley, Newton returned to his proofs for the planetary motions and worked them up into a volume which eventually became his masterwork, The Mathematical Principles of Natural Philosophy. Now, commonly referred to as, The Principles, this work is, by some, still held to be the greatest work of science ever published.

Newton’s life of retiring scholarsip ended in 1696 with his appointment to Warden of the Mint. He had already been engaged in the re-organisation of the nation’s finances, establishing the Bank of England and founding the national debt to finance international wars. In 1699 he was promoted to Master of the Mint which post he held until his death.

Honours accumulated for the ageing Newton. In 1703 he became President of the Royal Society and he was knighted in 1705.

The Newtonian world-view, developed almost wholly on the basis of his success in mathematics and the physical sciences is apt to confuse and occlude. His studies in astronomy and optics occupied only a small portion of his time. Most of his great powers were poured out upon church history, theology, the chronology of ancient kingdoms, prophecy, and alchemy.

‘Why do I call him a magician? Because he looked on the universe as a riddle,

a secret that could be read, a cryptogram set by the Almighty…’

‘Newton the Man’, J.M.Keynes

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Hunting the Green Lion

All hail the Noble Company,

True students in Holy Alchemy,

Whose ardent practise does them teach,

To veil their secrets in ‘misty speech’.

It may please you dilecticians

To hear my protestations

For that practise which I have seen,

 A hunting of the Lion Green.

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Whose colour doubtless is not so,

And surely that, your wisdoms know,

For no man lives that has ever seen,

Upon four feet a lion the colour green.

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Green he is called for his unripeness,

And yet so quickly can he run,

To soon outstrip the sun…

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It brings to him more perfection,

Than ever he had by nature’s direction.

Vicar of Malden

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Green Lion Alchemy Poster | Zazzle.co.uk

 

 

 

 

Anatomy of Evil?…

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We commenced our survey of St Michael and St George,

many months ago now, by querying the notion that,

according to a number of well-known esotericists, in 1879

a great victory of light over darkness had been achieved.

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One of these eminent esotericist even went as far as to suggest

that the age of the ‘Kali Yuga’ had ended in this year.

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Notwithstanding the inadvisability of mixing

eastern and western esoteric traditions in this way,

not to mention, cosmic and historical time frames,

subsequent historical events tend to contradict this assertion,

and perhaps even suggest the complete opposite.

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Visions, dreams, and icons are always, and for all time,

open to interpretation, and re-interpretation,

or at least, in a free democracy, they always should be.

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Toeing a particular party line may seem expedient

at one time or another

but is usually antithetical to any notions of ultimate truth.

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So, what do we do when we are accosted by a vision

of St Michael in the form of a stained glass window

in Skipton Church?

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We head off to Cornwall, of course…

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The genesis and development of this theme is covered

in a series of nine of our books which commences with, The Initiate…

 

Bridle Rock…

The Bamburgh Beast

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… The Great Stone in the ballad is known as Spindleston Heugh(s),

and is a dolerite crag on the Whin Sill (‘Dark Flat’) escarpment in the parish of Easington.

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 The Spindle Stone is a natural stone column standing out from the crag,

which is also known as ‘Bridle Rock’.

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‘Bridal Rocks’ are often climbed by suitors

in order to demonstrate their suitability for an intended.

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According to legend this one was used by Childy Wynde

to tether his horse before he tackled the Worm.

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A feature below the crag is marked ‘Laidley Worm’s Trough’ on the map

but the nearby ‘Laidley Worm’s Cave’ was destroyed in the 19th century.

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It is sometimes easy to forget our links to the land

in which we move and have our being

especially when we have been couped up in doors

for any length of time, by choice or otherwise.

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This, though, does not seem to have been so much of a problem

for our ancient ancestors, and perhaps,

this is because it was all so new to them…

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The balled of the Laidley Worm is now

intricately associated with Bamburgh castle.

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This large fortified house is perched atop a dolerite outcrop

which is decidedly wormlike in shape, and was formerly the stronghold

of Celtic Britons, the Din Guarie.

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The church at the back of the castle,

holds the relics of St Aiden.

Entry to the church is free, and is well worth a visit…

The Laidley Wyrm…

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I weird you a Laidly Worm,

Until the end-of-days,

And freed ne’er shall you be,

Until the king’s successor,

Approach the Heugh,

And give you kisses three…

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Before a legend ‘goes national’ it will first have been local.

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There are lots of ‘merlins’ and ‘arthurs’ in the land of Britain,

although not all of them are known by those names or titles.

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There are too, lots of dragon slayers,

few of which are called George.

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Before George became our Patron Saint,

our Patron Saint was called Edmund.

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Edmund was shot full of arrows then decapitated,

and his decapitated head was stolen, by a wolf…

Which is, perhaps, not very heroic.

Not heroic enough for some, certainly.

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Before George became our Patron Saint

there was a ‘dragon slayer’ in Northumbria,

here is his tale…

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“And so to Bamburgh castle, the king a new wife did bring.

But his queen took an instant dislike to her husband’s daughter, Margaret,

And transformed her into a Laidly Wyrm which coiled itself about a Great Stone,

And laid waste the land for seven miles around.

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Daily, the milk of seven cows was brought the Wyrm but all to no avail,

For the enchantment could only be lifted by Childy Wynd,

Margaret’s brother, but he lived far away over the sea.

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Word of the dark doings in his homeland eventually reached Childy,

Who built a ship with a rowan-tree mast and silken sails,

And set out to rid Bamburgh of its blight.

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The queen, she spied the ship and sent out ‘witch-wives’ to sink it,

But they were powerless ‘gainst the magical mast.

As the ship came into land, the Wyrm leapt up,

The Wyrm leapt down, and plaiting ’round the stane,

Banged it out to sea again.

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Undaunted, Childy put in on Budle Sand and waded ashore.

Finally encountering the Wyrm, Childy laid his sword upon its head,

Yet gave it kisses three,

And though it crept back into its hole a Wyrm,

It stepped out, a Lady.

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Together, brother and sister returned to Bamburgh,

To be greeted by their joyful father, the king.

The queen was transformed, by Childy, into a toad,

Which to this day spits venom on young girls out walking.”

Duncan Frasier  AD 1270

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Freezing Brass Castles…

https://upload.wikimedia.org/wikipedia/commons/2/2b/Nuremberg_chronicles_f_124v_2.jpg

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‘A fleet hoofed horse

moves swift as quick wit’

Old English Proverb

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…’ After spiriting George away from his mother’s side,

Kalyb, the fell enchantress tended to him as the apple of her eye,

and appointed twelve Satyrs to attend his every whim.’

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Twelve of anything usually refers to months of the year.

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‘When he was fourteen years old George

demanded to know who were his parents.

Kalyb told him and showed him a castle of burnished brass

wherein she held captive the six bravest Knights of Christendom’…

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The seven champions are the planetary bodies again.

George would naturally have to be the Sun,

which if they are given in correct order makes Mars

Spain which for this period in history works rather well!

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There is also a salient point here, though.

The energies of what the Hebrews used to call the Elohim

are ordinarily shut up, or banked, in the subconscious,

and can only be ‘set free’ by the Id at which point

they emerge to form a natural component of the Identity.

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The Subconscious Mind could even be regarded,

for most people, as an Unseen Presence.

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‘Kalyb promised that if only George stayed with her

she would equip him as a knight

and make him the leader of those in the castle.’

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‘George tricked his knightly accoutrements from Kalyb,

tricked her into her own rock-hewn dungeon,

and freed the knights to go dragon slaying’…

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Which pretty much means that George,

the Patron Saint of England, is a Trickster!

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‘Hearing of a foul beast terrorising the country of Egypt,

George set his will, and charger, in that direction’…

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Egypt, presumably, because ‘she’ is

the Old World exemplar for Christianity.