Berthe Morisot 1875
I love antique fans… there is something about them that has always fascinated me. I remember vividly standing in tears at Harewood House at an exhibition many years ago. I don’t quite know what it is… their delicacy and craftsmanship, the artistry in miniature, their ephemeral fragility… or perhaps it is the stories that they could tell. They were given as gifts, symbols of love and affection, hid shy smiles and coquettish glances, indeed there was a whole, discrete language that could be spoken in silence by the hand that held the fan.
I used to collect them. It was one of those things I had always promised myself when I could afford to do so. The delicate lace and gauze, painted satin and feathers of the Belle Époque were my favourite, though the little brisé fan that belonged to my great-grandmother was the most precious. They went long ago, when times were tough, but it was a privilege to be their custodian for a while.
Amongst my dreams one night I dreamed of a fan. I was being shown how it was to be restored. The whole ‘lesson’ was about perception, and it went on for what seemed like half the night. In this particular passage though there was a broken fan. The gauze had split and frayed through mishandling, the sticks were damaged and broken, the guards detached. Yet it had been a lovely thing of mother of pearl and spangled silk, painted with tiny creatures and nasturtiums… School colours and not unlike a fan I once loved.
James Tissot 1885
The restorer showed me how to fix the guards… how to stiffen the leaf, backing it with fine fabric to strengthen the damaged bits… how to mend the sticks and replace the rivet that held them together. I remembered how to tie the wrist ribbons. And when we had finished it looked beautiful, almost as good as new…
Except, it didn’t feel right, somehow, it was too heavy, unbalanced and the extra fabric meant it could no longer fold… certainly it could no longer be opened and closed with one graceful flick to make a conversational point. Although the body of the fan was repaired, it had lost something. It was no longer fit for the hands of coy damsels or elegant matrons. It had been patched and mended so skilfully to preserve its outward appearance that it was no longer fit for purpose. It had lost its soul.
Next I was shown how to back the fan, sewing each stick in place, supported and unfurled in all its beauty so it could be framed in glass to protect it for the future. No longer would it be handled or used, it would lay against no other cheek to say I love you in that secret language… indeed… we had to wear white gloves so as not to contaminate it with our nasty, sweaty hands… the same that gave the beautiful patina to sticks of ivory and wood.
Alexandre Roslin 1768
The sticks, sewn into place, could no longer flex and move, there was only stiffness where there should have been fluid movement. The butterfly was caged, pinned in a frame, a lifeless beauty, preserved for posterity in all its glory… but inanimate, soulless…. Its very nature changed by its preservation. Yet collectors of beauty would pay highly for the framed fan, seeing only the artistry, not the cage.
The waking mind sees further than the dream… or perhaps it would be more accurate to say that the waking mind is able to unpick what the dreaming mind already knows and bring it into consciousness. I do not believe that there are regimented meanings to the content of dreams, although some of the images we encounter are so deeply rooted in human consciousness that their symbolism is readily apparent. Dreams are personal and it is up to us to be the key that unlocks the doorways into our subconscious that they offer.
I have mulled over this one, on and off, for a long time and there are so many layers of possible meaning that unveil themselves that, as with most dreams, there is no single, clear-cut answer. It is possible that all those layers of meaning are right… each on their own level. The mind is a fabulously creative thing.
Fans have always seemed like precious, if ephemeral things to me. Perhaps, given that I was already caring for an injured son, it was a lesson in the care and diligence it would need to ‘mend’ him… and a reminder that no matter how carefully we worked, the end result would be different, though perhaps even more valuable, than where we began.
Maybe the dream was telling me that we have to let go of the past? That attempting to preserve what is beyond repair will only render something stiff and soulless, outwardly attractive, perhaps, but no longer useful. Most of us cling to outworn behaviours, habits become futile and even relationships that have long since failed.
The battle for social acceptability through conformity might be epitomised by the broken fan too. How many of us choose by default or are forced into the roles and boxes that society deems acceptable, when we yearn for a different life, only to find our spirits starved of colour and movement, sliding gradually into an old age of stiff regret?
Or was it, like the rest of the dreams that night, simply another lesson in perception? That beyond the outer form, whether beautiful or tatterdemalion, all things have a purpose. To try to force someone into serving a purpose for which they were not destined, is to rob them of their chance to fly… and perhaps this applies especially to oneself. To deny the inner purpose of our being is to deny our Selves and leads to a lifeless life.
Sometimes, to escape the cage and find our true wings, we have to follow our dreams.