Petals of the Rose

Petals of the Rose

Guided Journeys

Sue Vincent

A collection of guided meditations, designed to open aspects of the personality in as gentle and natural way as the petals of the rose open at the touch of the sun. Each inner journey will carry you to a haven within your own psyche from which to explore layers of your own being, learning their meaning and purpose.

From mystical and silent castles, to the song of the unicorn… each journey takes you deeper into your inner being and carries you out beyond the stars.

Stories stir the imagination, casting images upon the screen of mind that allow us to explore, in safety, aspects of our lives and being that we might otherwise avoid or overlook. There is a rich vein of experience in memory that can be mined for its treasures. One of the simplest and best ways of exploring the labyrinths of the mind is to do so through a guided journey.

Meditation and visualisation are not arcane practices in which a few indulge… we all use these tools every day, to navigate our way around the world and our lives. We ask ourselves ‘what if?’, creating imaginary scenarios before we act. We visualise the route we walk to work, or what the basket full of ingredients will look like, once assembled and cooked, on a dinner plate.

There is no mystery in meditation… but when you give time and attention to the practice, it can open the door to many mysteries… including those of our own being…

Available via Amazon.com, Amazon UK and worldwide in Paperback and for Kindle

St Just…

*

Not only did our last hotel

fail to provide any windows, to speak of, in our room,

  it also failed to provide us with a breakfast…

*

Which is just as well, really,

for we were up, and off, and away

long before breakfast would ordinarily

ever have been dreamed of…

*

However, by nine bells one might be forgiven

for expecting the local sea-front eateries to be offering

something in the way of refreshment?

*

Not so!

So, we headed for St Just…

*

How to disguise your sacred monument…

 

*

Firstly, cover it with the Dragon’s Breath…

Secondly, consign it to a relatively late historical period…

Thirdly, invent for it a plausible name…

*

*

“What is a miracle play, anyway?”

“It’s a medieval drama based on episodes from the life of a saint.”

“What, like St Just?”

“Yes, just like St Just, Hermit and Martyr.” …

*

“And what did St Just do?”

*

*

“Well, apart from displaying his true colours,

and confirming the link between the stonework

of ancient and less ancient sacred sites,

he also reminded us why we’re here.”

*

*

“That’s the church of St Just, what did the real St Just do?”

“Oh, pretty much the same sort of thing, I expect.” …

***

A Sacred and Profane Memoir

 by Alfred John Prufrock

*

Note on Celtic Saints:

These ancient savants seem of an entirely different cast to their Roman Catholic successors.

Like the Bards of old they travel the land far and wide, taking their entourage with them, seeming reluctant to ever settle…

St Samson, though born in Wales of ‘royal stock’, enjoys legendary status on Caldey, in Ireland, Cornwall and Brittany!

These places are all centres of stone.

The official hagiographies of the saints often seek to conceal much more than they reveal.

One charming account has both Samson and Arthur, as children, playing together in their eponymous Dolmen.

The notion of St Samson as Itinerant Pendragon is greatly appealing.

 

Excerpt from Kith ‘n’ Kin by Stuart France and Sue Vincent…

***

 

Lands of Exile:

KITH ‘N’ KIN

Stuart France & Sue Vincent

The Beeley Stone, ‘liberated’ from the churchyard at Bakewell, stands proudly in the centre of its village green once more. While the locals enjoy the fruits of its restoration, Ben, who had led the daring raid against authority, still languishes in jail.

Don and Wen, arrested and released without explanation in Ireland, now plot an erratic course through the wild places of Wales, while Jaw-Dark and Kraas, seeking the legendary stone of Fergus Mac Roy, have been separated in the most uncanny of circumstances…

As the darkness closes around them, the Black Shade haunts the moors above Beeley and, in the shadowy rooms of the old tower, an ancient and even stranger story begins to unfold…

Available via Amazon UK, Amazon.com and worldwide, for Kindle and in full colour illustrated paperback

***

Nightingales: July Zoom Cyber Room…

***

The Self, is it real or a psychological illusion?

In this hour of focus on what many consider to be our most precious possession, we will look at the arising of the self and its potential.

Many mystics have considered that we have a self and a Self.

What is the difference?

Does one subsume the other or do they meet halfway.

Join us for some spiritual companionship, fun and discussion on what might just be the most important topic of our lives…

***

“We’re really close to the Church that we tried to get into before lunch the other Sunday but which was closed.”

“What, the one with the remains of a standing stone in the graveyard?”

“That’s the one.”

As we approach the South door, I can hardly contain my excitement and take the lead. I can hear voices within… there is some sort of tour going on in there.

“…and to your right we have the South door which is the oldest working church door in Buckinghamshire…” I twist the door handle and lean into the door fully expecting it to open onto the interior of the church which it does not. “…since 1211…hold on a moment there… the door is barred. I’ll just open it for you.”

There is a heavy thud from the inside of the church and then a scraping sound and slowly the door creaks open to reveal the aged but very friendly face of the tour guide…

“…the door was barred, I’ve just unbarred the door for you,” he smiles and then nods somewhat knowingly and resumes the narrative of his tour, “Further to your left…”

I cast a cursory glance at his charges, three elderly looking tourists, two male and one female who are doing their best to affect an air of nonchalant acceptance of our unscripted entry.

I glance too at Wen who has skipped into the church and whose mirth appears palpable.

Suppressing my own mirth and sense of triumphalism at gaining entry to the church I head for a most impressive stained glass window depicting our old friend George with his Dragon and Damsel and… I am instantly transported…”

“Sire”
“…”
“SIRE”
I turn to the enquirer, imagining it to be one of the tourists and somewhat irritated that my reverie has been so rudely interrupted. But it is not one of the tourists, it is someone who I have never seen before. A small, weasel-like man dressed in rough leathers is standing at the front of the church just before the nave.
If this were not shocking enough, the church itself looks very different from the one I stepped into mere moments before. It is also ram jam full of people who are all looking intently at me, awaiting my response.
I turn back to the window hoping that the nightmare will abate but the window too has changed and, instead of depicting my beloved George with his blessed Dragon and lovely Damsel, it depicts a farmer sowing seeds upon the ploughed earth.
“Sire, the court is awaiting your response.”
I gulp… and turn… and start to walk down the centre of the church.
“My response?” I muster,  attempting to affect nonchalance. As I progress down what used to be the central aisle of the church, I notice out of the window that what remains of the standing stone is not a standing stone at all but a village cross. Next to the cross stands a hooded executioner sharpening his axe blade…

… I come back, still scrutinising the rich colours and beautifully executed form of the stained glass window before me and immediately glance over my shoulder… The scene has returned to one of relative normality. The tour guide has manoeuvred his charges into the chancel and, from Wen’s position in the church, I would estimate I have been gone for only a matter of minutes. I move over to her, still a little shaken by recent events, to find she is busy photographing two more utterly stunning windows which bear the epithet, “I bore you on eagle’s wings and brought you into myself.“…

The Triumph of Horsenden – The Initiate

***

THE INITIATE

Book One of the Triad of Albion

Stuart France & Sue Vincent

The Initiate is the story of a journey beyond the realms of our accustomed normality.

It is a true story told in a fictional manner. In just such a way did the Bards of old hide in the legends and deeds of folk heroes, those deeper truths for those ‘with eyes to see and ears to hear’.

Don and Wen, two founding members of a new Esoteric School, meet to explore an ancient sacred site, as a prelude to the School’s opening event. The new School is to be based upon a nine-fold system and operate under the aegis of the Horus Hawk.

The trip does not unfold as planned.

Instead, Don and Wen, guided by the birds, find themselves embarking upon a journey that will lead them through a maze of spiritual symbolism, to magical mysteries and the shadowy figure of the Ninth Knight.

As the veils thin and waver, time shifts and the present is peopled with shadowy figures of the past, weaving their tales through a quest for understanding and opening wide the doors of perception…

Now available via Amazon worldwide.

Paperback UK     Kindle UK    Paperback Amazon.com    Kindle Amazon.com

The Great Mystery…

*

Approach to the mystery

is silent, solitary

and free from all self-seeking.

*

It is silent because in comparison

with the mystery all speech

is feeble and imperfect.

*

It is solitary because the mystery

draws closer to us in solitude.

*

It is free of self-seeking because

the souls of our ancestors

ascended to the mystery

in wordless adoration.

– Ohiyesa

WHAT’S UP DOC? Lines of communication V…

*

…Cara… ‘I reign over you, saith the God of Justice.

ELEXARPEH

COMANANU

TABITOM.

Move therefore and show yourselves.

Appear unto us; open the mysteries of your Creation, the balance of

Righteousness and Truth.’

*

Bugs: The three names are the Angels who rule over the Tablet of Union in the Enochian System devised by Doctor John Dee and Edward Kelley…

Cara: So, some questions… What are Angels? Anybody… (discuss)

Bugs: Who numbers them? (we do…)

Cara: Who gives them names? (we do…)

Bugs: What is the Angelic function?

Cara: So… Horizonal polarity, the mundane oppositions of the world which as we have seen are interchangeable and are ever flipping, versus… Vertical polarity… World/Otherworld… Heaven/Earth… Human/Divine, we’d like to propose two definitions.

Bugs: Horizontal Polarity encompasses, ‘Everything we know or think we know.’ … which is mutable.

Cara: Vertical Polarity encompasses, ‘Everything we don’t know or don’t think we know.’ … which is immutable.

Bugs: The Angelic function is to mediate between the poles of a vertical polarity.

Cara: From whom to whom? (discuss)

Bugs: From here to where? (discuss)

Cara: Angelos means, ‘messenger’.  In Christian Mysticism where the divine is regarded as the beloved, the angel is the lovers ‘chaperone’

Bugs: In Sufi Mysticism where the divine is spoken of in terms of an intoxicating beverage

The ‘Wine-house dispenser’, or ‘bar-tender’, is the angel.

Cara: Also, in Islamic mysticism we have Al Khidr –  who is Another Green or Verdant Man…

And, somewhat inevitably, an angel.

Bugs: The function of al-Khiḍr as a ‘person-archetype’ is to reveal each companion to

themselves, to lead each companion to their own theophany, because that theophany

corresponds to their own ‘inner heaven,’ to the form of their own being, to their eternal

individuality.

Cara: This latter, then, conforms to the idea of ‘contact’.

Bugs: And in Magical Tradition to, ‘Conversation with the Holy Guardian Angel’….

Cara: Where language fails in its attempt to adequately describe this state…

Art… Dance…Music… may succeed…

Intro music…

Bugs: So, we would like to conclude this presentation with a piece of music.

This piece of music, in our opinion, possesses the ability to make the ‘beyond’ tangible.

Before we do that for you we would like to rearrange things slightly as a symbolism and an act of sacrifice

Cara: As you move your intent should be ‘I move, in order, to achieve my vertical polarity.’

(seat swap) S1-N9, N8-S2, S3-N7, N6-S4, (S5-N5, already accomplished) S6-N4, N3-S7, S8-N2, N1-S9)

Bugs: (closes curtains and dims any lights.) Explain meditation… Seed thoughts. ‘Never perfect always changing. Ever changing always perfect.’

Music…O Holy One… by John Tavener…

Cara: reads… (over start of music)

Most subtle of the shifting forms and yet most constant too.

Whose moonlit transformation cannot change the heart that’s true.

It harkens to each season’s turn and reads the twilight air

And listens to the inner song and knows both foul and fair.

Between two worlds It journeys and in both It can be seen

In adoration of the moon yet always clothed in green…

END

Rabbit Excerpt abridged from ‘Watership Down’ – by Richard Adams

Thanks to those Companions who acted as Adjudicators, and all those whose contributions to this presentation helped make it work…

WHAT’S UP DOC? Lines of communication IV…

*

…’All colour had faded from the sky and although the big board by the gate creaked slightly in the night wind, there was no passer-by to read the sharp, hard letters that cut straight as black knives across its white surface.
They said…’

Bugs… (pause) CARROTS! (pause) Reads…

THIS IDEALLY SITUATED ESTATE
COMPRISING SIX ACRES
OF EXCELLENT BUILDING LAND
IS TO BE DEVELOPED
WITH HIGH CLASS MODERN RESIDENCES
BY SUTCH AND MARTIN, LIMITED
OF NEWBURY, BERKS

Cara… In the context of the story then, this notice spells doom for the rabbits and the warren…

Bugs… So, what’s going on? Why have we presented you with these cards?

Cara… A spanking, brand new pair of Bunny ears for anyone who can tell us?

(Interplay)

BugsIf no takers… Well, you are all now Rabbits anyway…Why?

Because you are in the same position in relation to the first inscription on the card as the rabbits in the story are to the second… (both Cara and Bugs elaborate on that position) So, to emphasise that position…

*

Cara… In the darkness and warmth of the burrow Hazel suddenly woke, struggling and kicking with his back legs…

Bugs… It was Fiver, who was clambering over him, clawing and grabbing like a rabbit trying to climb a wire fence in panic.

*
Cara… ‘Fiver! Fiver, wake up… It’s Hazel. You’ll hurt me in a moment. Wake up!
He held him down. Fiver struggled and woke.

*
Bugs… “Oh, Hazel! I was dreaming. It was dreadful.
You were there.
We were sitting on water, going down a great, deep stream, and then I realised we were on a board, like that board in the field.
There were other rabbits there but when I looked down the board was made of bones and wires…
I was looking for you everywhere and trying to drag you out of a hole in the bank.
You said, “The Chief Rabbit must go alone, and you floated away down a dark tunnel of water.”

*
Cara… Well, you’ve hurt my ribs, anyway.
Tunnel of water… What rubbish!
Can we go back to sleep now?

*

Bugs… “Hazel – the danger, the bad thing. It hasn’t gone away.

It’s here – all round us.

Don’t tell me to forget about it and go to sleep.

We’ve got to get away before it’s too late.”

*
Cararepeats… ‘The bad thing.

It hasn’t gone away.

It’s here… all around us…’

So, we ask again…

Is our script.

Our unknown script good or bad?

Repeats invocation…

*
Bugs… Is it worthy or unworthy of ridicule?

If any Companions claimed to know at outset let them reveal, alternatively, Reveal…

This is a fragment of angelic language used by Dr John Dee.

It is part of an invocation…

*

Cara… ‘I reign over you, saith the God of Justice.
ELEXARPEH
COMANANU
TABITOM.
Move therefore and show yourselves.
Appear unto us; open the mysteries of your Creation, the balance of
Righteousness and Truth.’

to be continued…

Backstone Beck

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As the sun continued to rise at our backs, the light dancing and changing with every passing minute, the three of us, Steve, Stuart and myself, headed over… and up… towards Backstone Beck. The water tumbles down the moor, over boulders of millstone grit, sparkling clean, yet coloured with the amber of peat and iron. Nothing tastes quite like it, no other drink, for me, assuages the thirst of body and soul like a clear draught taken from these moorland streams, with naught but hands for a cup. Ilkley was famed for its healing springs long ago, and the gentry came from far and wide to bathe and drink the waters described as  “mellifluent, diaphanous, limpid, luminous transparent, pellucid” and “its purity and softness , which makes if more efficacious, by passing sooner and to the utmost and finest limits of the circulation than any water known.” I, however, am reminded of my younger son, a child still, and halfway up Ben Nevis; quenching his thirst at a mountain stream and saying in wonder that he was drinking the clouds. Here, perhaps, it is the earth we drink.

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I know this stream well. I played here as a child, so did my sons, damming the waters… a futile game, of course, as the water always finds a way through the pebbles. But that was never the point… it is the relationship between the child and the land, the movement and the stone, the flowing together of child, rock and water. It is play. It is a place of memory. Odd to think that of the thousands of rocks and pebbles that line the stream, some I have held in my hands, decades ago, and yet they now lie, unrecognised, in the water.

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We crossed the stream, stopping to drink, and followed the path that runs beside it as the moor climbs to the next level. Many visitors look up from the Cow and Calf at the edge of the moor with its steep cliffs and think that is the highest point. Those casual visitors who climb to the ridge seldom leave the path that runs along it… there is, after all, little reason to do so. They might, if they did, find the poet’s rest where we waited a while, watching the sun. The view is spectacular, the heather, when it is in flower, is a sea of purple and there are rocky outcrops, huge stones and cascading streams enough for any walk. For now the fresh green of young bracken cloaks the hills. Yet venture ‘further up and further in’ and the atmosphere changes. Traffic noise… almost non-existent at this time of morning anyway… simply falls into silence. You are alone with the breeze and the bracken, the stones and the sheep, the sky and the songbirds in a place that seems untouched by man, save only for his tracks through the heather.

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Yet look closer and you can see where the old ones walked. There are hut circles, ancient settlements, strange carvings on the boulders; stone circles and cairns dot the moors and if you are lucky, and very observant, you may find the knapped flint tools… arrowheads, blades and scrapers… with which they carved out their lives. Memories in stone that go back nine thousand years. There are older lives in the rock too…of creatures and plants that lived in the sea that covered these high moors four hundred million years ago. In the vast sea of uncurling bracken and nascent heather, that knowledge alone strips you of many masks, leaving you feeling simply a human… being.

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The birds led us onward; tiny meadow pipits, skylarks with their characteristic flight, grouse noisily protesting our intrusion…The small birds hopped and flew, a few paces, a few curling fronds at a time, looking back and waiting, for all the world as it they wanted us to follow them… which, of course, we did, following their lead to find the ‘lost’ Backstone Circle. And all the time the glorious sunrise unfolded behind us.

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The Nightingales’: June Zoom cyber-room…

*

The Egoic Nature

In this hour of self-severity and  unbridled selfishness, we will, through a series of questions, explore this seemingly all-powerful ‘image of ourselves’ and the part it does, could, and should, play in our lives. 

  • A monster that takes over your carefully-cultivated persona? (Frankenstein) 
  • A lustful beast engineering it’s own desires? (Dr Jekyll and Hyde) 
  • A dutiful, caring angel that ministers, selflessly, to the needy? (Jane Eyre?)

What about Dorian Gray?

What is the key to that story?

Is the masculine ego the same as the feminine?

Jung’s soul and spirit.

Stages and key questions for us to discuss and explore:

An egoic nature… We all have one, but what is it?

Where did it come from and how did it develop?

Is the ego necessary and Why?

Why do we appear to struggle with our egos?

Is there an ultimate destiny for the ego?

*

… And as the sky darkens, so the enormity of the day begins to sink in.

“There is one thing bothering me…”

“Which is, my dear?”

“The spirit stones at Wayland’s would be covered with earth.”

“I know.”

“So no one could see them.”

“I know, but it isn’t so very different from decorating the inside of a tomb with intricate and resplendent illuminations and hieroglyphs.”

“Like the Egyptians.”

“Like the Egyptians… and others. Some of the best art their cultures ever produced would be seen by none.”

“And what about the Hill Figure?”

“What about the Hill Figure, dear?”

“It’s only properly visible in its entirety from the air.”

“I know.”

“So, no one could see that, either.”

Wen sighs. “We have to entertain the very real possibility that these people were not, oh how should I put it? They were not… as body-bound as we are.”

“And the stones in the earth…”

“… Is exactly the same thing.”

“Jeez… That’s a seriously crazy thought… which is possibly why I like it so much.”

“Quite.”

“The transition then, from what we call life to what we call death, would not… for them… have been quite such a wrench. It would have been much more like… a change of perspective, perhaps.”

“It would have been like waking from a  dream.”

“… Like waking from a dream of the body?” …

Excerpt from The Initiate.

*****

THE INITIATE

Book One of the Triad of Albion

Stuart France & Sue Vincent

The Initiate is the story of a journey beyond the realms of our accustomed normality.

It is a true story told in a fictional manner. In just such a way did the Bards of old hide in the legends and deeds of folk heroes, those deeper truths for those ‘with eyes to see and ears to hear’.

Don and Wen, two founding members of a new Esoteric School, meet to explore an ancient sacred site, as a prelude to the School’s opening event. The new School is to be based upon a nine-fold system and operate under the aegis of the Horus Hawk.

The trip does not unfold as planned.

Instead, Don and Wen, guided by the birds, find themselves embarking upon a journey that will lead them through a maze of spiritual symbolism, to magical mysteries and the shadowy figure of the Ninth Knight.

As the veils thin and waver, time shifts and the present is peopled with shadowy figures of the past, weaving their tales through a quest for understanding and opening wide the doors of perception…

Now available via Amazon worldwide.

Paperback UK     Kindle UK    Paperback Amazon.com    Kindle Amazon.com

 

 

 

 

 

Bah’t ‘at

north 111

Well, two of us were up there on Ilkley Moor bah’t ‘at… the third stubbornly clung to the trademark headgear that makes him look like something feral. To be fair, it was a little chilly up there.

idiots abroad

We had arrived early and, after fortifying ourselves with a toasted teacake and a coffee apiece, headed off to the parish church to look at the ancient Saxon crosses and Roman altars, now safely ensconced in the base of the bell tower to protect them from the depredations of the elements. We had an hour before Steve was due to arrive, and that was enough to see what we needed to see and wander out into the morning sunshine. It was going to be a long day.

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We… the inner team of the Silent Eye… were meeting to tramp the moors in search of a landscape for use in a private School event. From the Cow and Calf to the Swastika Stone, by way of White Wells, Heber’s Ghyll and the ancient petroglyphs I took them to the places of my childhood, places where I have dreamed, wept, laughed and played.

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It was a beautiful day. Regardless of the fact I will be returning there soon, there were the inevitable tears on leaving. I cannot help it, the place has a home in my heart deeper than any other or perhaps it is that my heart has its home there. As we turned the car off the moorside road a red kite flew over… I have not seen them there before… the sight of that distinctive silhouette in the air, wings outstretched, felt like a blessing. A perfect way to end the day.

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Tall the cliffs of stone
That mark the entry to my heart’s domain,
Wild and empty in its vastness
The solitude of living earth.
The wind lifts the heart
And bears it through the storm
To where the lichen crusted rocks
Cling to the clouds.
Part of my heart remains there
Scattered with the ashes of a lost love
Mingled with the joy and pain of memory,
Of childhood wonder and a lover’s kiss.
Deep the roots which bind me to that land,
Like the weathered pines that cling for life
To the purple hillside…
Genuflecting, but standing, still,
Naked in the mist.
Or the great stones,
Ice carved in aeons past
Into a landscape of dreams,
Marked by ancient hands
With figures of Light,
That I may stand beside them,
Millennia apart,
And recognise my kin.

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