The Light between the Railway Carriages

The light between the railway carriages…

It was one of the best analogies I ever had given to me; yet it took me years to grasp its fullness. Like any true seed of ‘spiritual’ insight, it was strong enough to lie on the rock till a little pocket of earth developed beneath – a receptive place into which it could extend its roots.

We all grow up thinking, without question, that ‘thought’ is continuous, and the basis for our ‘in-here’ existence. It may take a lifetime to see that the thought-machine that fronts our world is our own creation and coloured with our thinking and emotional history. This colouration paints ‘the’ world, making it our world, familiar in its likes and dislikes, fears and moments of courage – many of them unobserved, except by that mysterious watcher within us.

The world we inhabit is therefore the sum total of our reactions to everything that has happened to us. Many of these reactions protect us – like knowing not to put our hands onto something burningly hot; others fill us with prejudice against threats that are not present in our moment.

The ocean in which this history exists is the internal ‘field’ of our thoughts.

‘Look, there’s a cherry-blossom tree!’ We cry, imposing the history-carrying words over the raw and beautiful experience of the reality. Names are useful, but they also pre-program our seeing. Knowing this, we can work backwards if we choose, and repeatedly use the word so that it temporarily loses its meaning. We may then find ourselves on the edge of a kind of fear. Have we damaged our brain’s memory of what a cherry-blossom tree is?

Of course not… but staying within that uncertainty may teach us something.

Just seeing how the mind takes that defensive stance is instructive. If, instead of allowing that fear, we carry on with the exercise and spend a ‘mute’ few minutes next to the ever-changing perfection of the tree, we may experience the gap – the light – between the railway carriages of the train of consciousness thundering by on its eternal and dominating journey.

In those precious moments, we may see that there is a landscape beyond the noisy and flashing train, one that comes slowly into focus and reveals itself as a very different place, yet one to which we are, most certainly, closely related – since we and it are now still… gazing upon each other in a new way.

©Stephen Tanham

Stephen Tanham is a director of the Silent Eye School of Consciousness, a not-for-profit teaching school that helps people find a personal path to a deeper place within their internal and external lives.

The Silent Eye provides home-based, practical courses which are low-cost and personally supervised. The course materials and corresponding supervision are provided month by month without further commitment.

Steve’s personal blog, Sun in Gemini, is at stevetanham.wordpress.com.

A journey with the Silent Eye ~ Anne Copeland

Anne Copeland, a Companion of the Silent Eye, writes of her journey with the School:

The Little Match Girl by Anne Copeland

I came across The Silent Eye Mystery School quite by accident, if anything can be truly considered an accident. I have studied a lot of psychology, archaeology, history, geography, spirituality, world religions, mythology, and other studies for many years, trying to discover just where I fit in within this world and this universe.  I sought to understand the meaning of the many things I encountered daily in the ways I related to others, or the meanings of things that cannot readily be seen, but which we all are conscious of. Somehow I never seemed to quite find the answers I was seeking.

Have you felt that you are somewhat alone with a world that seems to have so many problems and people doing wrong that it feels out of control?  Do you wonder if you will ever find peace and genuine happiness and understanding of the things of this place, this time of life? Will you ever feel at one with the light of this world? Perhaps most importantly, will you ever encounter the love and respect that you have wished for?

The school studies consist of a combination of contemporary psychological and ancient esoteric teachings that have been carefully selected to take you on a wonderful and magical journey into the light, wonder and color of the universe. As you venture into the guided journeys, you will begin to see how lost we can become as we attempt to relate to many things and people that exist outside of our sacred being. You will steadily find your way home as you have perhaps never known it.

 

This is the start of my second year of the three-year study, and I have never enjoyed any of my many studies as much as this. Not only have I come to know the archaeology, history, religions, mythology and geography of England; I have also come to know myself and to have a sense of how in the past I have reacted to so many aspects of my own life rather than interacting with them in a way that is beneficial to both sides. I have discovered a tremendous amount of personal peace and well-being even when I am surrounded by turmoil and disintegration. This is part of the great alchemy that brings us into a sense of oneness with all that is, all that ever has been, and all that will be.

Founded in 2012 by three amazing, knowledgeable people in England, Steve Tanham, Sue Vincent and Stuart France, The Silent Eye Mystery School is a wonderful correspondence course that is supplemented by in-person workshops and exciting events which are optional for students to attend if they are able. The course is extremely reasonable, and each student is assigned a “supervisor” who will assist you with gaining a deeper understanding of your studies, and who will answer all of your questions along the way.

You can find out more about Anne at her blog, All in a Day’s Breath


Would you like to know more?

For details of the School and our methods, how to join our Correspondence Course, or to find out more about our Workshops and Events please explore our website or email The Silent Eye at rivingtide@gmail.com

Reality TV?

Wharf TV for blog cropAA

 

It’s full of trivia and artificial things; things which have arisen in the name of entertainment. Everywhere you look there is a stream of mindless celebrities willing – some would say desperate –  to eat tropical bugs to give themselves a chance of being famous, again. It reminds me of a sad film I once saw called “They Shoot Horses, Don’t They”.

There are also some of the best and most informative documentary programmes we have ever seen. Such a mixture, and, as usual, it’s a matter of personal choice – and a bit of effort…

Television. It’s changed a lot since I was a boy… Perhaps not all for the better. But it’s not the purpose of this blog to complain about the ‘box’. We are all entitled to our leisure time and to choose how we spend it. To me, there is a sense here of a ‘race to the bottom’ about a whole layer of modern entertainment. This seems to go hand in hand with a view of life as a comic strip, where there must be good guys and bad guys and violent resolutions. Superhero movies don’t help. The truth is complex. Resolution of problems always involves compromise. There is no black and white.

How about considering the humble TV in a different way: as a reflection of the mind and human consciousness, it’s an experiment that opens up a set of parallels that are fascinating.

The TV shows us a flat screen that our minds have learned to convert back into our native 3D. With a well made drama programme that we can be ‘lost’ in, the experience is a good approximation of being there. Children can be traumatised by scary TV programmes. Adults sometimes forget the degree to which they cannot separate it from reality. Only later in life do we see that the ‘scare’ can be switched off inside ourselves, but only if we ‘pull back’ from the flat screen experience and deny it its imaginative power. My wife still can’t and hides her face behind a cushion with really scary films…

In ‘switching off’ what appears to be present lies a mystical parallel. Can the television teach us to do the same thing with life, itself?

I’m watching a bunch of gym-obsessed twenty-somethings flaunt themselves on an island in the sun. The women are blonde and beautiful; the men shaped like Greek gods… But their conversation could be from a junior school. The whole thing is entirely artificial. I mutter under my breath and switch it over. It’s a documentary about plastic waste and what we are doing to our oceans. I care about this, so I sit down and watch, clutching my cup of tea. This is real… and painful. I wish the perfect sun worshippers were watching this, too. We could us their energies…

Can we, in life, switch over channels? To do this we have to find the equivalent of us being on our comfy chair and watching the TV. This is entirely possible and is one of the basic techniques that we teach in the Silent Eye School of Consciousness.

We need to, literally, push the world away from our eyeballs. Sound crazy? Well, the reason the world is painted on our eyeballs is that we identify with what we see. Like the child with the television, we can’t see the screen and ourselves at the same time. By developing this dual consciousness – which is the work of only a few months – we  can begin to watch our own life as though it were a screen. In fact it is a kind of screen, one on which we project much of our existence. We see this as happening to us, but, really, we are happening to ourselves. At least at the mundane levels of life.

Once we begin to penetrate the understanding of the ‘world as television’ we can start to look for the truly real…. and that is a very different journey.

©️Stephen Tanham

Stephen Tanham is a director of the Silent Eye School of Consciousness, a not-for-profit organisation that helps people find a personal path to a deeper place within their internal and external lives.

The Silent Eye provides home-based, practical courses which are low-cost and personally supervised. The course materials and corresponding supervision are provided month by month without further commitment.

Steve’s personal blog, Sun in Gemini, is at stevetanham.wordpress.com.

Why not?

Above Great Hucklow, Derbyshire

One of the joys of working with the Silent Eye is the people you get to meet. Not all of them are part of the School; most follow their own Paths, which, though they may run in the same general direction, can take vastly different routes on the journey. None is inherently ‘better’ than another; it is always the Path that speaks to the heart that is right for any seeker. Being able to share and learn from our individual experiences on that Path makes the journey richer and fosters a spirit of understanding and cooperation.

Every year, the Silent Eye runs four workshop weekends. While the correspondence course and the personal journeys of our students are at the heart of the way the Silent Eye works, the workshops allow us to take a different approach and explore new ideas in new ways. They also allow us meet face to face with people… not just students and Companions of the School, but with those who share our interests, from widely different angles, but who may have no intention at all of joining the School.

Derbyshire

Three of our workshops are run in the landscape, exploring ancient, sacred and interesting sites. These can be anything from stone circles to castles, beaches to churches, modern landscapes to ancient henges. These are informal weekends and generally fun. We currently charge a minimal fee for the whole weekend workshop.

But why should anyone come along, just to do ‘tourist stuff’?

We do the groundwork before the event. We travel to the sites to investigate access, parking, places to eat and, most importantly, routes to obscure places you might not even know exist… and that allows us to cover a lot of local ground during a single weekend.

There is always a unifying theme; while we explore the sites, we explore too the ideas, psychological and spiritual concepts they suggest and illustrate, inviting discussion.

Nine Stones Close, Derbyshire

We not only have a love of the ancient sites, but we have amassed a store of knowledge about them too, having explored around five hundred prehistoric sites and medieval churches in the past five years alone.

We do the research… so you will not only visit an ancient site, and get a little of its history, but will learn the folklore and legends attached to it too.

We do not simply visit the sites, we work with them too. You may experience a guided meditation on a beach, a divination in a wood, a spiritual exercise in a churchyard or a simple ritual in a stone circle. None of these are tied to any particular spiritual Path or discipline… just to the human journey.

And, perhaps most importantly, these weekends also, as one of our attendees put it, provide “a safe space in which to talk” about things that, for many people, cannot be discussed anywhere else. Those who come along may have different views, but all share an open mind and heart.

The annual April workshop is a little different.

Image by Matt Baldwin-Ives

The residential weekend takes place in the Derbyshire Peak District, at the Nightingale Centre, which provides full board and accommodation. The gardens, local countryside and the old inn next door provide a place to relax too.

Each year we choose a theme that encapsulates a spiritual idea… then spend months writing the workbook for the workshop. The workbook sets out a story, presented as ritual drama in the tradition of the ancient Mystery Schools, and written as a script. Each attendee takes a part… no-one needs to be able to act or learn lines, as it is not designed as a play and there is no audience; only the other attendees.

These scripts are either based upon an ancient text, or are written especially for the workshop. The Leaf and Flame workshop, for example, took us back to Arthur’s Court and the tale of the Green Knight, while The Feathered Seer brought in the stories of local stone circles. River of the Sun took us to ancient Egypt to see a priest made and a Pharaoh take power.

Image by Matt Baldwin-Ives

There are presentations from experienced speakers, guided meditations, an optional dawn ritual on the hillside and a chance to see the inner workings of a modern Mystery School…as well as having fun and meeting like-minded people from across the UK and as far away as the US. We do not insist upon costumes, but most people seem to enjoy bringing the period to life, and we have had some colourful workshops, in everything from Egyptian robes to Elizabethan dress.

To give people a good idea of what we do, we have not only published some of the workbooks, but we invite attendees to add their own comments and publish their personal experiences on the Silent Eye’s website. You can find you exactly what happens when you attend your first workshop by clicking here or read an account by Running Elk of the first time he came to a Silent Eye event.  You can also visit the gallery to see pictures of a few of our events.

Sumerian art

This year we will ‘go back’ five thousand years to Sumeria and the time of Gilgamesh, King of Uruk, basing the story upon the oldest epic poem in the world. The tale explores spiritual and psychological principles that we meet in our everyday lives and , like all our workshops, leaves us with a greater understanding of who we are and how we can live our lives to the fullest.

There are still places available for April… and always places for the landscape workshops. Why not come along and join us for the weekend?

Lord of the Deep
26-28 April, 2019

Great Hucklow, Derbyshire

The Silent Eye’s Spring workshop for 2019

Click HERE for full details, prices and booking form

For all upcoming events, please visit our EVENTS page.

 

Full Circle: Long Meg


Our final site of the day was to be one of the most astonishing circles we have visited. It is not the biggest, nor are the stones themselves the largest, but it has a ‘feel’ unlike any other. Castlerigg, which we would visit on our final day of the workshop, may rightly be accounted one of the most beautiful of circles, but what Long Meg and her Daughters lack in aesthetics, they more than make up for in sheer presence.

On our very first visit, the light had been going and the winter dusk had been bitterly cold. We thought we knew what to expect…after all, we had seen enough photographs of the place. I had even a vague memory of having been taken there as a child. Yet, we had rounded the corner and been ambushed by the stones. Getting out of the car, we had literally bounced with excitement, like children at Christmas. The site was more, far more, than we had expected.


For a start, the narrow farm track that is signposted for the ‘Druid Circle’ gives no warning when you are about to arrive. It does not stop at the edge of an enclosure or parking space… it carries on, straight through the circle, skirting stones that divide the track at one point. When we arrived with our party for the workshop, our passenger too felt that ‘psychic shock’ and was, moments later, out of the car and bouncing up and down like an excited child.

The short winter’s day was drawing to a close and we would be in the circle at sundown. Unlike our last visit, equipped with cameras, the fading light would not linger and we lost no time in sending our party out to explore and attune with the stones.

Captured from Google Earth

The circle is huge, the sixth largest in Northern Europe, and not really a circle at all. It is an oval, formed from the geometric form of the vesica, and some three hundred and forty feet across its longest axis. Although legends say that it is bad luck to try and count the stones, the usual count puts them at fifty nine stones still in situ out of the seventy original stones. The whole thing was once surrounded by a low embankment, which may have been white-faced with gypsum, allowing it to glow.

Long Meg herself is the solitary standing stone who watches over her ‘daughters’, which are the stones of this Bronze Age circle. Legend says a coven of witches were put to sleep and petrified by a Scottish wizard named Michael Scot. His surname may indicate his origin north of the border, but Michael harks back to the Saint of that name who is so often shown with the dragon held quiescent on the point of his lance. The dragon power of old Albion, associated with the leys, was seen as pagan and therefore ‘evil’ by nascent Christianity and knowledge of its ways driven underground. Perhaps the dragons, like the stones, merely sleep…


The circle was built as part of the megalithic tradition which began around five and a half thousand years ago. The exact date of the circle and the surrounding enclosures and embankments is uncertain and its precise purpose is unknown, though much can be deduced. For a people who, like our ancestors, constructed interrelated sites across vast swathes of the landscape, it is probable that there is a relationship between this site and others in the area, including Little Meg, two fields away, and the henges we had visited. Not far away is the sacred landscape and Avenue at Shap… and you have to wonder if, as at Avebury and Stonehenge, these features formed part of a greater plan…and if so, did it echo the map of the heavens as our ancestors once saw it?

There are larger stones in circles across the country, but the stones are far from small. The four quarter-stones are not local and are quartz-bearing. Most circles are built from a single type of stone, perhaps with a quartz-bearing stone, or even an entire boulder of quartz, such as we had seen at Boscawen-Un. Here, however, Long Meg herself is a column of red sandstone that sparkles in the sunlight and which, with the quartz-rocks, differs from the rest of the circle. The technology of stone as it was known to our ancestors may be lost to us, but we have echoes in the use of crystal for both healing and communications technologies. Their choices of stone were not only deliberate but significant.


The arrangement of the stones suggests a calendrical function that would work by standing outside the circle and sighting across to the quartz stones. Long Meg herself, standing outside the circle, is part of a Samhain alignment with a portal stone and one of the quartz rocks.

Long Meg is a magnificent presence. Standing twelve feet tall, she is ‘tattooed’ with concentric circles and her uppermost surface is notched in the manner we have so often seen. This may be simple erosion, as is often averred, or the weather may have exaggerated an existing feature, but whenever we see this kind of notch we are struck by its similarity to the sight on an old-fashioned firearm. And this, we believe, was its function.

Between anecdotal observations and the mathematical precision survey work such as that conducted by Professor Thom’s, a good many astronomical alignments have been proposed and observed, indicating alignments at solstice and equinox and particularly with Deneb, the brightest star in the constellation Cygnus. Deneb heads the Northern Cross in the heavens and, along with Vega and Altair, is one of the three stars known as the Summer Triangle that was used for navigation right up until the twentieth century, helping pilots find their way home. There are physical alignments within the landscape too and while the entrance to the circle frames the hills, their form is shadowed in he contours of the stones.

As the day drew to its end, we gathered around Long Meg, focussing our minds and breathing. Closing our eyes, we once more sounded our ‘words of truth’, this time giving voice to the vowels which are the flowing seeds of sound. It is odd, but the voice changes when you work in this way; sound emerges unrecognisable from your throat as if illuminating hidden corners of your being. The words ‘breath of Creation’ passed through my mind, listening to the anonymous voices joined in unplanned harmony.

As we ended our day, the light failed and the clouds broke, allowing a final glimpse of the sun setting behind Long Meg. Wishing I had not left the camera in the car, I reached for my phone, just to mark the moment. The stones were alive, glad, I felt, for our presence and glowing faintly in the twilight as the sky itself offered us a final gift.

Chief Prince of Pen Rhionydd…

*

D: Before Merlin was a soothsayer he was a miraculous child who solved the mystery of Vortigern’s Tower.

W: What mystery was that?

D: Every time the tower was raised by Vortigern the hill on which it was built swallowed the tower whole.

W: And the answer to that mystery?

D: The answer to the mystery was that the hill was hollow…

and in the hollow of the hill was a pool…

and in the pool two stones languished…

and in each of the stones was a dragon struggling to get out.

One Dragon was White, and the other Dragon was Red.

W: And what was done to reveal this mystery?

D: The Hill was excavated…

The pool was drained…

The stones were pulverised… and the Dragons loosed.

W: What happened then?

D: The Dragons contended… and became One.

W: Thus, the braided tower was raised upon the hill… and remained.

*

The Modern Mysteries

The ‘mysteries’ have been with mankind as long as we have existed. They are a collection of paths that take us inwards; restoring a sense of self deeper than that which reacts, and showing us that mankind is much more than a biological animal – though animals, and their focus on the ‘now’ have much to teach us, too.

The reason these paths work is that we are more than we appear to be. The reactive nature of the self-in-the-world, the personality, fixes it into a certain relationship with its world. This is vital for survival but not so for our potential evolution. Mankind is not a finished project. Nature can only take us so far, beyond that point we have take responsibility for our own self-development, and the power for this comes from within. To begin this, we have to loosen the grip of the world on our reactive self. When this is done, a new space emerges within our mind and heart.; a quiet, creative place that feels wholly our own. Unlike the everyday world, our energy is not robbed in this place, in fact the former reactions, seen in their true perspective, actually feed the strength of this private chamber… there is a bubbling of laughter, a lightness of being.

Developments in psychology over the past hundred years have given teachers of the spiritual a powerful vocabulary to describe the nature of the reactive self, the self-in-the-world. We see that our essential self is not what has grown up, like layers of paint, around our experience of the world. For the first time, we see that what is truly ‘us’ is not only difficult to define, but also not the layers of painted self-consciousness that have developed, year on year, since we came into the world.

At this point we begin to sense the weight of the baggage we carry. As the time spent on self-study lengthens, we see that we can let go a lot of what we thought was us, and delight in the rush of powerful energy when the unnecessary is let go. As the reactive gravity is released, we begin to sense an entirely new relationship with the world in which we live – the outer world… or is it?

With the letting go of what we thought we were, we enter a new field of confidence. This confidence is reinforced when events in our lives seems to conspire to teach us each next step that we need to learn. We look up at the sky – inner and outer and ask, “Did that really just happen?” And it did, and it goes on happening as the door of perception opens onto true relationship and we come re-evaluate our whole lives.

There comes a point where we know enough to show others parts of it. We feel a honourable debt and a desire to do this. We experiment; finding what techniques work for us and which don’t. The personality is not done away with, rather it is realigned in the service of this inner relationship – spirit will do nicely as a word, but there are many more words that can serve us well. We may even change our vocabulary as we speak to different audiences. We need have no fear, for each challenge brings its own way of speaking and showing – if we remain true to the inner vibration, which, day by day, is becoming us.

These, then, are the mysteries. They are not, nor have ever been, bound up in a fixed set of teachings, They belong to all of us, they are our birthright. They are the new world we have always had. Only the self-in-the-world was ever in the way of this, and now it serves something higher and more noble as we reach for the sky.

©️Stephen Tanham


Stephen Tanham is a director of the Silent Eye School of Consciousness, a not-for-profit organisation that helps people find a personal path to a deeper place within their internal and external lives.

The Silent Eye provides home-based, practical courses which are low-cost and personally supervised. The course materials and corresponding supervision are provided month by month without further commitment.

Steve’s personal blog, Sun in Gemini, is at stevetanham.wordpress.com.

You’ll find friends, poetry, literature and photography there…and some great guest posts on related topics.