Mimir’s Bubbling Head…

*

We seem to have finally lost the Hawks.

The day feels somehow empty.

But for Wen the day is still young and she is keen to introduce me to another chalk figure. This one is much later than the Uffington Dragon and, I have to say, a lot less impressive. The chalk does not even appear particularly white just a sort of dirty grey colour.  It now seems to depict an equal armed cross surmounting an upward pointing triangle but Wen thinks it may have been a phallus and keitis in its earlier days. One thing is for sure it is clearly visible from the road. When we get up onto the top of the hill the sky has darkened with cloud cover and the earlier highs on Hawk Hill are beginning to feel like a hallucinatory lapse in time. Happily there are a couple of burial mounds on the hill which reinforces Wen’s contention about the antiquity of the place if not the figure. It is a nice enough spot, if a tad exposed, and Wen finds a landscape feature which could well be a naval. It seems beyond doubt that the ancients did this type of thing. Seeing bodies in the earth or seeing the earth as a series of sleeping bodies needful of awakening to animation. Two ravens land simultaneously on the top of the barrow which reminds me of Castle Rigg when two ravens did something similar as we approached the entrance stones and that in turn reminds me that Wotan’s birds were ravens known has ‘Memory’ and ‘Mind’… Nine nights he hung there and he sacrificed an eye in order to comprehend occult wisdom… I wonder if it was pecked out by the ravens… or whether that is merely a clever blind for spiritual insight and make a mental note to re-read the story and meditate on it. I wander out to the edge of the hill just past the scouring poles and my heart leaps. On the plain below walking across a field two figures are discernable and just above them quite close to their heads a Red Kite circles, although the figures themselves appear to be totally oblivious of the bird above them.

“It’s not only us they follow,” I point out to Wen with some satisfaction.

“It probably thinks they are us” says Wen as the hawk keens, wheels, turns and heads directly for our position on the hill.  They do appear to have phenomenal hearing as well as their legendary eyesight.

“It cannot know we are here,” I say with total conviction as the hawk labours to climb towards our position.

“It cannot know we are here” I say with less conviction as the hawk showing no inclination to alter its course is now two thirds the way to our position and is still working terribly hard to reach us.

“It cannot know…”

“Wound round the hanging tree…I sacrifice… myself… to myself… and now seek wisdom’s word from the breach in Mimir’s bubbling head,” says Wen as the hawk flies directly above our standing position on the hill-top and then screeches, loudly.

The ravens cackle in unison fly up and off from the barrow and head into the tree cover, their wings moving in lazy unison.

“How do you do that?”

“I don’t know what you mean.”

That’s a reference to Yggdrasil, who is an eight-legged horse but also a tree spanning the three worlds and I was just thinking about that very story how do you know all this stuff?”

“I didn’t know I knew it until a moment ago, it just sort of emerged,” Wen smiles apologetically.

“It’s only the same as you and the birds, how do you do that?”

“I don’t do anything, it happens naturally.”

“We must be chosen ones,” says Wen as an icy blast of wind gusts over the hilltop.

“… or frozen ones,” I reply, zipping up my jacket and heading back to the car.

*

Quest for a Quest: The Initiate’s Story

Aylesbury, Buckinghamshire

17-19 April 2020

A Living Lore Workshop.

Contact us at Rivingtide@gmail.com for more details. Click below to
Download our Events Booking Form – pdf

In Hack-Pen Hedge…

Ilkwknd 077*

Animism
1. Doctrine that the soul is the vital principle of organic development.
2. Attribution of conscious life or spirits to nature or natural phenomena.
3. Belief in the existence of spirits separable from bodies.

*

“There’s a large stone in that hedge…”
“Correction, there’s a large head in that hedge.”
“A pity then that hedge derives from edge and not from head.”

*

It is a recurring question and one which crops up every time we visit ‘circles’ of stone.
Are the forms which we ‘see’ in them in us or in the stone?
Are they merely subjective projections or do they inhere in the stones themselves?

From experience we know that different people see different things.
From experience also we know that these forms change, constantly.
Among other things they are affected by;
1. Distance.
2. Angle of approach.
3. Atmospheric conditions.

*

Would that the flickering blaze of flame
In the moonlight
again illuminate these forms…

The beat of a drum
A flare from the sun
When will they in unity thrum?

*

They deal then with perception and perceptions.

If all one sees are silly things
Is one a silly person or merely being silly?

Is it likely that stones would be chosen for their similarity to animals or beings which have never shared their environment?

Do we know for certain which fauna shared their environment?

Context too is important.

If we have an idea of what these sites were for,
then we may be able to find a correlation in the images in the stones.

Or is that simply more projection
and hence an even greater error of interpretation?

*

The ‘new circles’ can be instructive.
Apart from the obvious fact that for the most part they are not situated correctly, and thus do not feel ‘right’ or indeed feel ‘wrong’ and do not function at all on an energetic level, the choice of stones also leaves a lot to be desired.
These stones are ‘dead’.
Individually they appear too regular and too square to hold any forms,
not that a square or regular stone could not hold such a form, mind.
Collectively they do not ‘speak’ to each other, or as a whole.

*

Whatever else the people responsible for ‘Our Stones Circles’ were or were not, they were certainly artists of an exceptionally high degree of accomplishment, as well as consummate surveyors and engineers.
And that is not to mention, supreme organisers and masters of matter in motion.
These skills were probably not compartmentalised or regarded as separate.

One possible function of this artistry and science could have been in order to facilitate ancestral contact.

*

I just wish I’d moved the grasses away from the other side of the stone and taken a peek,

and then gone into the adjacent field and done likewise. Time…

*

Hidden Avebury: Seeking the Unseen

Avebury, Wiltshire

12th – 14th June, 2020

*

A Living Land Workshop

Almost everyone knows of Avebury, the great stone circle within which a village was built. A World Heritage site and one of the most incredible sacred complexes of prehistory, it is justly famous for its beauty and mystery. The site attracts hundreds of thousands of visitors every year but while most simply walk in awe amongst the majestic standing stones of the Circle and Avenue, there is far more to discover for those who will walk the paths less travelled.

Join us in June, 2020, as we explore some of the hidden corners of this amazing landscape, ranging beyond the boundaries of the Circle to seek a deeper understanding of what our ancestors hoped to touch by building this earthly temple to the stars.

Based in the landscape around Avebury and beyond, this weekend will entail some relatively easy walking. There will be time during the weekend to explore Avebury and its stones.

The weekend runs from Friday afternoon to early Sunday afternoon, and costs £75 per person. Meals and accommodation are not included in the price and should be booked separately by all attendees. Meals are often taken together at a local pub or café. For those arriving by public transport, we are able to offer a limited number of places in shared vehicles; please let us know if this would be required.

Click below to
Download our Events Booking Form – pdf

For further details or to reserve your place: rivingtide@gmail.com

Hill-of-the-Buried-Sun…

*

…It was, after all, rather disconcerting to be thus accosted by a total stranger…

*

“Does this count?” he demanded, ferociously,

and pushed an admittedly intriguing photograph across the bar at us.

“Does that count as what?”

*

“One of them ‘Black’ places”

“Well, it might do, what is it?”

*

“It’s one of them there mounds.”

“Is it really, it looks just like a pyramid of light?”

*

“That’s why I was thinking it might count.”

“Strictly speaking, in order ‘to count’ it would have to be called

‘Black-something’ or ‘Something-black’. Does it have a name?”

*

“Oh aye, it’s got a name alright.”

“And that name is?”

“Silbury Hill!”

*

And at that, the Red-Lion, or so it seemed to us,

burst into a collective paroxysm of laughter…

*

Hidden Avebury: Seeking the Unseen

Avebury, Wiltshire

12th – 14th June, 2020

*

A Living Land Workshop

Almost everyone knows of Avebury, the great stone circle within which a village was built. A World Heritage site and one of the most incredible sacred complexes of prehistory, it is justly famous for its beauty and mystery. The site attracts hundreds of thousands of visitors every year but while most simply walk in awe amongst the majestic standing stones of the Circle and Avenue, there is far more to discover for those who will walk the paths less travelled.

Join us in June, 2020, as we explore some of the hidden corners of this amazing landscape, ranging beyond the boundaries of the Circle to seek a deeper understanding of what our ancestors hoped to touch by building this earthly temple to the stars.

Based in the landscape around Avebury and beyond, this weekend will entail some relatively easy walking. There will be time during the weekend to explore Avebury and its stones.

The weekend runs from Friday afternoon to early Sunday afternoon, and costs £75 per person. Meals and accommodation are not included in the price and should be booked separately by all attendees. Meals are often taken together at a local pub or café. For those arriving by public transport, we are able to offer a limited number of places in shared vehicles; please let us know if this would be required.

Click below to
Download our Events Booking Form – pdf

For further details or to reserve your place: rivingtide@gmail.com

The Incomparable Comper…

*

…The nearest church is St Nicholas’ of Great Kimble so we head off there.

“Why blue specifically do you think?”

“Well, we’re sort of assuming that it’s a healing energy but if we follow the Theosophists then I suppose it could be devotional.”

“And what are we expecting at St Nicholas’s?”

“To be honest I’ll be surprised if there is anything.”

“What, nothing at all?”

“We were given Our Blue Chapel, remember and I just think that it is special.”

“Well it certainly feels special but it will not be the only church built on an old site, I mean it went out as a definitive edict, to ensure the populace kept coming to the old sites they built their churches on top of them.”

“It very much depends on what has happened in the meantime.”

*

I hasten along the gravel path, and enter the church porch, pause, look back at Wen as mysteriously as I can, and then twist the iron door ring with a yank and lean into the heavy oaken door.

The door yields…

The door is open…

We step inside.

Now it is a curious thing that since experiencing Our Blue Chapel, we tend to judge all other churches by its incredibly exacting standards and if it does not immediately have the same feel, there is a definite sense of disappointment, which is palpable here, yet this is not a disappointing church by any means. It is well kept. It is obviously well attended and it has some wonderful features, a lovely little side chapel and some quite astonishing stained glass windows, Wen even picks up a bit of colour around some of the side aisles although to my eye there looks to be green mixed in with the blue which sets me thinking…

Wen is quite vociferous in her disappointment. She has appropriated the ‘corporate’ word for use in her appraisal of the place. If you know Wen, you know that ‘corporate’, is a bad, bad word…

“What if the colour is linked to the name?”

“Go on…”

“…Blue for All Saints, Green for St. Nicholas…  I don’t know… purple for Our Lady?”

“You are aware that there were tinges of purple in the central isles of Our Chapel and that the blue from the windows is a different blue to the blue on the walls and floors?”

“I was not aware of that no…It did seem though that the more I looked at the photos the more blue there was.”

“That’s probably just you attuning. The blue from the windows is a lapis blue, whereas the earth blue if that is where it comes from is more of a royal blue.”

“This is crazy…crazy… but true…possibly.”

“And how do they name the churches anyway?”

“There’s a special office, they’re called ‘planters’ but I suppose it’s like priests. There are good ones who know what they’re doing and there are those that don’t. Get a good planter, he tunes into the energy vibration of the place, sees the colour, or feels it and gives it the correct name.”

“It’s a stunning idea but I’ll be amazed if it works like that even though it evidently should.”…

*

… “And for a long time that is all we had.”

“That, and the Green light of the Lady Chapel.”

“That, and the Gold-Green light of the Lady Chapel.”

“And, when that is all you’ve got you tend to attend to it.”

“Enjoyed ‘tend to attend’ but what did we in fact, have?”

“Well, even that’s not certain.”

“So, what did we appear to have?”

“We appeared to have the head of Christ, which appeared to be floating.”

“I may have to take issue with ‘floating’. I may even have to take issue with ‘head’. I am duty bound to take issue with ‘Christ’.”

“Oh dear, taking issue with Christ is not a happy place to be. Is there a particular reason?”

“Red hair.”

“Ah, well, yes, red hair for Christ is, perhaps, not a familiar attribute, but he is wearing a crown of thorns and he is affixed to a cross.”

“‘He’ is wearing a green crown of thorns and the cross may be a halo and appears to be feathered.”

“Floating?”

“Carried, or ‘raised’ by angels. Carried, or ‘raised’ by red haired angels to be precise.”

“Do we ‘know’ any red haired angels?”

“Michael has red hair.”

“That’s that then, but what about the head?”

“It looks more like the angels are carrying or raising a banner with the representation of a head on it.”

“Or, an icon! Is there such a thing in the tradition?”

“There is such a thing, although, whether or not it can be regarded as traditional is very much open to question.”

“Pray, tell of this thing?”

“The Veronica.” …

*

… “The Veronica?”

“It is one of the ‘Stations of the Cross’. One of Christ’s female adherents approaches her Lord and wipes the sweat from his face as he struggles to Calvary under the back breaking load of the cross. When he has gone, Veronica looks at the cloth, she has used to administer to her Lord, and it bears the imprint of his visage upon it.”

“Another miracle? But of questionable traditional authority you say?”

“The ‘Stations of the Cross’ are supposed to represent Christ’s journey to the cross and beyond as related in the Gospels.”

“Supposed?”

“The Veronica does not occur in the any of the four canonical gospels.”

“And the apocryphal gospels?”

“It is not in any that have so far come to light.”

“So where did it come from?”

“It was ‘made up’.”

“By whom?”

“If he had a name it has long since been lost to the annals of time, but it is ten-to-one-on that we know not who he was but what he was.”

“You are starting to make less and less sense, ten-to-one-on?”

“He was a Jesuit.”

“Okay… Why would a Jesuit make up something like that?”

“Why, indeed?”

*

Quest for a Quest: The Initiate’s Story

Aylesbury, Buckinghamshire

17-19 April 2020

Contact us at Rivingtide@gmail.com for more details. Click below to
Download our Events Booking Form – pdf

A New Beginning…

Since the birth of the Silent Eye, we have held regular workshops, including, for the past seven years, an annual residential weekend of ritual drama in Derbyshire. We have had a huge amount of fun with these weekends over the years, in spite of the months of writing, work and preparation they entail. We have made some wonderful friends and seen our companions rise above the challenges to create pure magic within our place of working.

At the same time, we have also been pioneering a new kind of workshop, set within the living land. It is not enough to follow a spiritual path within the confines of a hallowed hall. Spirituality must be part of everyday life and must move in the world before it truly comes to life.

With this in mind, our landscape workshops visit ancient and sacred sites, right across the country, in varied and beautiful places, allowing the land and its history to illustrate and reveal the heart of the spiritual principles we explore.

Last year, we took the decision that we would follow the call to move all our workshops out into the landscape, with this year being the last residential weekend for a while. At our last monthly meeting, with confirmed bookings not meeting the necessary criteria, we decided that, rather than risk being unable to deliver a well-rounded weekend for our companions, we would move this event too out into the landscape.

And, as soon as we made that decision, the details and structure of the weekend fell into place.

Sometimes, you simply have to listen to what the winds of change whisper… and when you do so, magic happens…

Quest for a Quest: The Initiate’s Story

Aylesbury, Buckinghamshire

17-19 April 2020

There are mysteries just beyond the doorstep, sacred places and hidden stories in every landscape. From the five thousand year old track that once crossed the country to the enigma of the secret orders that have hidden their true purposes behind sanctity or debauchery, the landscape of rural Buckinghamshire abounds in unsolved riddles.

Join us as we ask why a medieval church was built upon the site of a prehistoric settlement… Why Sir Francis Dashwood and the Hellfire Club met beneath a sacred hill… and how the landscape beyond your threshold can open the door to adventure.

The weekend will be based around Aylesbury, Buckinghamshire, and runs from Friday afternoon to early Sunday afternoon, and costs £75 per person. There will be a moderate amount of walking, some of it across field paths.

Meals and accommodation are not included in the price and should be booked separately by all attendees. Meals are often taken together at a local pub or café. For those arriving by public transport, we are able to offer a limited number of places in shared vehicles; please let us know if this would be required.

Contact us at Rivingtide@gmail.com for more details. Click below to
Download our Events Booking Form – pdf

The perfect teacher?

When the student is ready, the master will appear.

This saying is often quoted both by and to those who walk a spiritual path. All too frequently, it is said with the kind of supercilious air that implies that the listener is not yet ready… and further, that they are in the presence of one who already knows more than they ever will. The early stages of any path are littered with those who like to think they have walked much farther than anyone else.

The trouble with that is how it devalues a principle that is, in fact, true… though not necessarily in the way the seeker might think.

A few envisage a numinous being descending in glory to reveal the inner secrets of the universe to them alone. Many expect to simply meet a person or group who can guide them, or point them in the right direction. For most of us, though, it is not even that… it is a thought, a book, a glimpse into a moment that changes our view of the path we have chosen and sets us on our way. It can be the smallest thing and its magnitude is seldom immediately obvious because it is so different from anything we thought we expected.

The clue, though, is in the proverb; the master will appear. Not from out of nowhere, in a puff of smoke… when the student is ready, the guidance they need becomes visible to his eyes. It may always have been there, indeed, there is a teacher within, just waiting for the question, but without everything he has learned on his personal journey, the student is simply unable to see it for what it is.

There is one teacher we each experience every single day. It illustrates many of the most basic beliefs upon which we have founded our complex religions and our personal faiths. It may be from observing its ever-changing face that those beliefs arose in the heart of Man in the first place.

We have only to look at the planet we call home, in all its beauty and order, to see the origins of wonder. From the rising of the sun that chases away the shadows, to the seasons of the year that lead from youthful spring to sere winter… and on again to the rebirth of spring. From the harvesting of what was sown, to the precise perfection in the design of any living organism and its place in an endless, cycling chain. There is a perfect teacher there for all of us.

If you look at the incredible design of body, leaf or crystal, even at the most minute level…and then consider how everything we know works in harmony, feeding from, nourishing and reliant upon other links in the endless chain… apart, perhaps, from humankind’s behaviour… you cannot help but marvel at the scale and perfection of the design.

Accidents, mutations and evolution, say the scientists.

Really?

Am I suggesting that there is a bearded old guy on a throne somewhere, compass in hand, drawing up plans for creation? No. I don’t discount the scientific explanation at all. But I do see it as just that… an explanation of what is and most scientific explanations are little more than descriptions of the mechanics of the physical world.  It doesn’t mean it is entirely correct… how can we, a species that is a mere blip on the face of evolutionary time, expect to fully understand the whole process of creation? Nor does it mean it is incorrect… as far as it goes. Accidents and mutations are certainly part of the evolving design… but that design is too vast for us to see in its entirety.

With the intricacy of the interwoven strands of the physical world before our eyes every day and the dance of the  heavens above us at night, little wonder that humankind percieved Intelligence behind the design. From there, it is but a short step to see the basis of beliefs such as reincarnation, karma and the survival of the soul played out upon the body of the earth. Nor is it difficult to see perfection in action.

It is worth considering. When the student is ready, the master will appear. Maybe all we have to do is open our eyes.

 

Keys to Heaven: Design…

Image result for odin's cross

*

… By Fox!

That is ‘Mister…’ to you.

‘C.J.’ – Charles James…

*

Sue saw the Banner Torches, unlit.

I heard the drums.

We both said in unison, “That’s Fox!”

“What’s Fox?” said Gary.

“You’ll see.”

*

One second earlier and we would have missed them.

Any later and we would not have caught the full half-hour show.

‘Standing Stones’ – ‘Three Magicians’ – ‘The Pentagram’

‘Mrs Widge’ – ‘Stella’ – ‘Ducks’…

to name but a few of the dances.

And observing all, at the head of the Dancing Ground, the Krampus!

So strange, how things turn out…

*

The next morning we found ourselves at the highest point of the area.

The Lion Inn, is the sort of hostelry one could frequent all day, every day,

and would not mind in the slightest getting snowed in to.

*

Coffee’s all round before taking in a trio of standing stones,

one of which, the third may just be a stoop…

And at the second we perform the third round of our ‘ritual’.

Just before the rain sets in.

*

Last of all is the church at Lastingham

and the reputed Crypt of St Cedd.

The possibility of his presence here, too, is ambivalent.

There is something, and we all feel it,

 though precisely what… is difficult to say.

*

In the pulsing crypt we perform our final ‘ritual’.

Wordless…

For we have each been working with

our ‘own’ words all weekend.

*

And the weighty matters at Whitby Abbey all those centuries ago

turned on a ruse involving keepers of the Keys to Heaven.

St Peter or St John, but then,

St John is the keeper, not of heaven,

but of a New Jerusalem.

*

Thought and Memory, can be wordless too,

so, it might be pertinent to ponder

just how those wide ranging ravens

communicate their wisdom to the High One?

He who, never eats and, for nourishment partakes only of wine.

‘By leaving space for Spirit’…

*

As we wave our goodbyes at the wood well.

I cannot help thinking the Wide Wanderer would have approved…

*

Image result for odin's cross

*

With thanks to organiser, Steve Tanham.

Keys to Heaven: Sobriety…

Image result for odin's cross

*

With our third term, ‘sobriety’, we start to rise…

By accepting the control we attempted to impose on the

world in our ‘planning’ and singularly failed to exert upon ourself in ‘gluttony’.

*

Roads of excess can lead to places of wisdom insists the Blake-Man,

and in our countless excesses may we hope that this is so…

*

Sobriety is not abstinence but it does wield discrimination,

when applied not to others, in judgement,

but to ourself, in understanding.

*

Our search for food left little time to shop,

and a small sandwich instead of the better value large

proved an elegant sufficiency.

*

Meeting at the same Cafe as our morning break

proved only that lightning does not strike a place twice.

*

Any lingering excess from the previous night would soon

be burned off by the looming coastal walk:

away, blown, cobwebs, the terms,

introduced by a little mud sliding…

*

From here on in things necessarily become

incredibly precise though, heaven knows,

we had no idea. Does the hand that guides, also design?

*

Our forty minute cliff-top sojourn

somehow became one-hour-and-a-half.

Do not ask for these are mysteries.

We stopped to talk for no more than fifteen minutes en route…

In a gale.

It could not have been longer.

*

Our ‘early tea’ became just a coffee,

and an early night beckoned, then,

we were accosted…

*

Image result for odin's cross

Keys to Heaven: Gluttony…

Image result for odin's cross

*

The Norse God, Odin, hangs over all.

His attendant wolves symbolise our lower self,

and both their names can be translated, ‘greed’, which leads us to glut…

*

For most people the plan is simple:

to experience all they can in sensations quest,

and this too can lead to a sort of glut…

*

One cannot have too much of a good thing, can one?

*

After breakfasting we meet at the Whalebone Arch,

and it is difficult not to wonder how

long it will be before our gluttony

as a species empties the oceans…

*

From here, framed within the jaw bones of the once great sea beast,

we can see the skeletal remains of Whitby Abbey,

where weighty decisions about the religious tenor

of our country were once made.

*

We, though, make our way back into town, and a Cafe…

and from there, eventually, up to the Abbey,

but not before crossing the swing bridge,

which simultaneously separates and joins the new town

from the old, and which, as we approach, is just about to swing…

*

For those with eyes to see the swing bridge has something to impart.

Black letters on a yellow board.

‘Krampus Run – Three-Thirty Pee Em!’

*

The ‘Krampus’, it turns out, is a sort of shadow

side to the European St Niklaus,

who instead of giving gifts to good children,

punishes those that have been bad!

An antidote to wanton gluttony, perhaps,

or a living, breathing, walking Baphomet?

Initially, there will be more than one of them,

 a whole parade full vying for the dubious crown.

*

We count the steps to the Abbey and breeze through

the Abbey gift shop where, historical, religious and fantasy

items all, peculiarly levelled, jostle for attention.

*

The once grandiose and resplendant Abbey interior,

now stands open to the elements…

Wind whistled bare,

was Odin a Lord of Air?

We try to feel St Cedd’s presence there,

but he is long gone.

*

As bitter grey clouds-of-cold skit in from the sea,

we perform the second run of our ‘ritual’,

before heading back down into town, for more food.

*

Image result for odin's cross