Being Human

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Cave of the Hands: artwork created up to thirteen thousand years ago. Image: Mariano CCAS3.0

Shadows dance in the firelight. A hand, warm upon cold stone, where many other hands have rested. The breath of the shaman, blowing ochre, staining the wall at this moment of passage. Rite of recognition within the tribe. Kinship and continuity indelibly inscribed upon the body of earth

***

The restaurant is quiet now, many of the tables are empty.  Sunset gilds the weathered stone of the window frames and casts ghosts of a beautiful day across the table, igniting the ruby heart of the half empty glasses. The woman tapping away at the little keyboard glances at her companion. There is an expression of deep concentration, emotions flitting across the unguarded face… She smiles. He is lost in the story, seeing it played out on the screen of imagination, reading from the heart, feeling the joy and grief of the characters. The book in his hands is a dream made concrete, the ephemeral made real. Her dream, his reality. From the back cover her own face smiles back.

***

An old story plays out in images on the flickering screen, acted to perfection by movie stars, long dead perhaps, but here, forever, captured in an unending moment. The story may have no basis in reality… or perhaps it does…but the grief of she who weeps for her son is that of every mother’s tears. Alone in the dark, tears course unstoppable…rivulets of pain and compassion… from cheek, to throat, to breast… back to the heart that watches, a mother’s heart who knows that grief. The acted emotion evoking a response, a mirror, in the reality that observes the fantasy.

***

Faded photographs, a tapestry of images… instants in time captured by the lens and brought back to life by the sight of the heart. Memories carry presence from the now to the then as eyes read the story of the past. The emotions are not then, but now.

***

Paint rushes across canvas, swirling and curling like dust-devils in the heat of summer. You can feel it beating down on the unprotected head. Energy flows in every line and curve…passion made visible, calling to something deep within your being

***

The music begins and you are lost in images born of sound and emotion, carried upon wings of imagination shared across centuries, heart to heart with unspoken words….

***

School dinners. It is not the same smell… but so close you are instantly transported back to childhood, feeling once more all the small details of that moment, recalling the taste of a favourite sweet, perhaps, or the comfort of a touch. For a scintilla of conscious time you are a child again.

***

You will have noticed a bit of a theme going on here… images, brought to consciousness through the senses and evoking emotions that are not images or memories in themselves, but, here and present now. Many spiritual paths over the ages have advocated a leaving behind of the things of the flesh, divorcing ourselves from the senses and focussing our attention firmly upon the higher and ethereal realms of spirit. I cannot, nor I think, can anyone say with any certitude, except that of personal conviction, whether this is the ‘right’ or ‘wrong’ way to go about things.  There are and have been mystics of all faiths and paths that have embraced this concept with their whole being and who have come to a personal enlightenment. There are others who have embraced the world and all it offers and who have also reached that level of spiritual beauty.

For me, personally, and for the Silent Eye, we have chosen the latter path…or perhaps it is closer to the truth to say it has embraced us. The idea of turning away from the world, for me, implies a separation from the Divine, by whatever name we choose to call It. The world in which we live, the bodies we inhabit, the creatures, great and small, with which we share this planet… our home… to me are all expressions of the One.

Even as a child the idea that we should turn from ourselves… away from how we were made, the tools we were given with which to experience the world… seemed odd. Though I was raised in a rather unusual family with wide ranging religious and spiritual beliefs, I live in a nominally Christian country, went to Sunday School and learned from the Bible. It says, quite clearly, “So God created man in his own image, in the image of God created he him; male and female created he them.” Genesis 1:27. KJV.  In fact, in the same phrase, the point is hammered home  thrice.

Now, the Sunday School child, with the child’s simplistic viewpoint, could not quite grasp how, on the one hand, we were being taught that God was omnipotent, omniscient and omnipresent… yet had obviously got it all wrong, because we had to be ashamed of our bodies and their functions, deny human emotions and senses and try to become perfect. Surely, I thought, if God had created us in His image… like a mirror… we were already perfect in His eyes?

Ah, said the Sunday School teacher, smiling beatifically… but there was the Fall… the expulsion from Eden…sin….

Hmm… thought the child, rapidly learning to keep quiet… but didn’t God create the Tree, the Apple and the Serpent too? Maybe He knew what He was doing? Maybe, they too were part of His plan, His perfection?

Decades passed, symbolism and abstract thought were engaged upon and explored, beliefs changing and evolving as life added to the store of knowledge and understanding…yet this idea always stuck, unshakeably, in my mind.

Maybe, just maybe, the things of this earth were meant to be experienced and learned from? And perhaps the senses we use to move blindly and often blandly through life were the gateway to a deeper understanding? And when I realised that it is through the senses that we touch the deepest emotions that began to make sense.

There is a difference between being a slave to the senses and using them… the same difference perhaps between using opiates for medical purposes and for the recreational escapism that ends in addiction. The one offers release from pain, the other dependency.

There is no guarantee that the reality any of us sees is the same as that seen through another’s eyes. We all see the sky is blue… but how can we tell if what I see as the colour I call blue is the same as the colour you see? We agree, by consensus, that it is blue.. and can replicate our own version of blue in other things… but who is to say my ‘blue’ is not actually your ‘green’… just called by the same name? Our perception of the world is unique and personal, but we have a consensual language with which to share experience.

Perhaps the only area where we can touch each other’s reality at a deep level of true understanding… where we can communicate heart to heart, wordlessly and in all simplicity… is through the emotions… and our emotions are accessed through the senses. Think about that; without the physical senses we could not feel… indeed, most of the language of emotion describes sensation… we feel, are touched, we hurt….

There is another phrase from the Bible that also stuck, “…a sword shall pierce through your own soul also, that the thoughts of many hearts may be revealed.” Luke  2:35

Emotions are universal, timeless and understood by all. Once experienced they are part of us and we recognise them in ourselves and in others. Empathy, not sympathy. Compassion answers grief, eyes meet in joy, tenderness meets need… a wordless understanding that transcends all other forms of communication. Who among us that has experienced the heart-piercing sword of loss cannot feel it in another? The thoughts of many hearts, indeed, become clear when we allow ourselves to listen to our own.

Maybe just being human can bring us closer to each other than we realise…across time and space, across all political and geographical divides, leaving an imprint of emotion that others can understand, miles and millennia apart.

Five Faces of the Macbeth Human

Exploring the faces of the ‘human condition’ should be consuming our world at the moment. We might reasonably conclude that understanding the heights and depths of our shared experience, as we drain the planet of its living life, would be of interest to us.

But we don’t…

Instead, if we ask any questions at all, we spend months looking at things from a political perspective – from power; assuming against expectation, that somehow, the political process will throw up something good for our world.

Psychopaths are having a field-day. Across the globe, they are running things, some of them even showing us how deluded we are to worry about this; that it’s all nonsense…

The story of one of the most successful psychopaths in fictional history was set in northern Scotland. A hardy group of us are shortly to spend a day driving to the town of Grantown-on-Spey, in the northern Cairngorms, to work out our personal and mythical relationships to Macbeth – Shakespeare’s fabled warrior, who, assisted by his wife, Lady Macbeth, rose from glory to bloody dominance before being toppled by forces from within himself – and herself, if you widen the mystical interpretation of the story.

We will carry with us the means to construct our own ‘Guiding Star’ – a five pointed figure well known to everyone as the pentagram.

Throughout our history, scholars have questioned the source of the negative side of being human. Since ancient times, geometric figures have been used to explore and question human nature, often being viewed as somehow ‘magical’ when they were simply an aid to what we now call psychological understanding. The value of such figures – derived from the properties of the circle – is to show how forces that act upon us – psychologically – are related to each other, and do not act in isolation. That, alone, should give us food for thought.

Within the Silent Eye, we use another figure – the enneagram, which is ‘nine pointed’ – as the basis for our self-exploration. But the pentagram is older, and considers the inner and ‘magical’ nature of mankind within a mapping of five qualities: Air, Earth, Fire, Water and one other…

Mystically, these are called the Elements. Although they derive from an age in which modern science had not thrown its analytical light on the atomic and vibrational nature of matter and energy, the philosophers of that age did not see a valid division between the inner and outer worlds experienced by our consciousness.

Because of this, the four elements were seen to be both subjective and objective, coming together in a fifth – Spirit- which opened the door to mastery and harmony in which the created and the creator were re-united, within the creation; the world in which we live and breathe and have our being.

At a simple level, the element of Earth may be seen as our foundation of physicality. It is slow and cold in its operation. Without animation from others elements, it cannot evolve.

Air is what we breathe and also how we communicate. It provides one of three elements of what makes our biology work: the other elements being the intake of Water (also emotions) and the stability of the foundational Earth. Fire is something different and is closely aligned with energy and transformation; burning off the dross of the lower forms of mortality.

The sequential alignment of the self with each of these Elements is a key process in so-called ‘magic’. For magic, we should read self-transformation; a concept for which we now have deeper psychological understanding, though psychology still does not acknowledge the deeper implications of this approach.

The key is the sequence used, and the fundamental attraction generated with what turns out to be higher aspects of the self; known as the Self. Implicit in this approach is the presence of the famous golden ratio – an intrinsic property of the pentagram, and one of the basic dimensions of biological life.

In a triangle of landscapes between Grantown-on-Spey, the highland coast at Findhorn and the historic Macbeth castles near Inverness, we will explore these relationships and the potential for alignment with the Self, using prompts from Shakespeare’s famous play. The story of Macbeth, seen as an allegory, is the story of our own confrontation with materiality and the wrong kind of ambition.

Dean Powell, who is based in the north Cairngorms, runs a local esoteric group: Lodge Unicorn n’ha Alba. Dean will be leading our group through his adopted Highland landscape in an exciting journey of self-discovery shared by all.

The Silent Unicorn is the name of a workshop (14-16 June, 2019) which will bring together the work of Lodge Unicorn n’ha Alba and the Silent Eye into a weekend of physical and spiritual exploration in the setting of the Scottish Highlands.

If this blog has given you an appetite to join us, there are still a few places remaining. Send an email to rivingtide@gmail.com and we’ll provide more details.

©Copyright Stephen Tanham

Stephen Tanham is a Director of the Silent Eye School of Consciousness, a not-for-profit teaching school of modern mysticism that helps people find a personal path to a deeper place within their internal and external lives.

The Silent Eye provides home-based, practical courses which are low-cost and personally supervised. The course materials and corresponding supervision are provided month by month without further commitment.

Steve’s personal blog, Sun in Gemini, is at stevetanham.wordpress.com.

Through a child’s eyes…

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I love Lady’s Mantle… Alchemilla mollis… the soft little alchemist. The shape and gentle shade of the downy leaves and the pale froth of yellow-green flowers. It is a lovely thing in my eyes. Yet it is not till the rain falls on the upturned leaves that you see its full beauty. Tiny creatures are caught in the water droplets, magnified into strange shapes. The water looks like ice, the surface tension palpable. I am reminded of the movement of mercury. Diamond-bright spheres nestle in the folds like so many crystal balls and the child who gazes into them can see worlds and dreams unfold there.

nicks 02622A cluster of tiny orb weaver spiderlings on the fence… hundreds of miniature jewels, alive and wriggling… the whole ball no more than an inch across. They had come together and woven a world. The finest of webs anchored them to the fence. Just watching them my imagination wove stories too… flashes of fairytale and science fiction, incomplete and exciting; ephemeral images that were gone as soon as they arose.

birds 2 0541A fly lands on a rose leaf, brilliant and iridescent. A creature usually an annoyance revealed in all its beauty, illuminated by the morning sun, casting rainbows from its back. Tiny, sensitive hairs protrude from the colour and multifaceted eyes looks back with an expression I cannot read. It is an alien creature. Another lands on the fence, metallic turquoise, the colour of ancient Egypt… I dream of a land unseen and a time long lost in the gilded mists of another clime.

birds 2 064A big bumble bee with its deceptively lazy flight lands on the pond brush, left to dry on a flower bed. What can it be looking for amongst the plastic bristles? What has it found to keep its interest? It ignores me completely as I watch, seeing the light reflect on the flat planes of its legs, wishing I could stroke the fat, furry body. Is it a bumble bee? I think it might be a tree bee… the fox red and the white rump… It doesn’t matter, it is beautiful anyway. I remember fairytales from my childhood about bees… they are magical creatures.

birds 2 062Another lands briefly on an orange rose; a last raindrop trembles on the tip of a leaf, mirroring an inversed world. The heart of the rose is a firework exploding into life… a rayed sun in a heart of flame. A universe being born. Close by the irises are opening in the pond and the stars are out as the seed pods of the marsh marigolds burst open revealing their hidden treasure of seeds. In each tiny seed new life awaits, and that is both magic and miracle.

birds 2 048“I have forgotten how to play.” I read this sad statement a few days ago. The ability to play as children is something we take for granted until, one day, we realise we are grown and the carefree games cease. If we are lucky, we may share play with children of our own, laughing with them and feeling once again the inner liberty that can express itself through the unselfconscious movement of body and the imagination. If we are luckier still, we do not forget but find other ways for that inner child to be held in wonder at the world as it unfolds before our eyes.

birds 2 091Yet the heart and eyes of a child live on in all of us; asleep, perhaps, ignored sometimes. Do you remember the child you were when the adults talked over your head? Or when you were told it was bedtime yet you could hear people still laughing downstairs? Remember how that felt?

nicks 1There is a child within who still wants to play, to gaze on the world with eyes full of wonder and a light heart. To feel the magic of fairytales alive in the buzzing of a bee, to weave delicious stories around faces in rock and tree.  Sometimes, all you have to do is open your eyes and heart, letting your imagination run wild with bare, grass-stained feet and the Otherworld will open its doors and let you in.

nicks 0591

Herr Doktor…

*

Not warlike…

Blood-Spilled!

Not romantic…

 Heart-Thrilled!

Not adventurous…

Action-Filled!

*

Instead,

our muse intends

to trill

it’s heaven-sent verse

‘gainst this…

*

…Our players willed

to shape

the Faustian Fall

for well or ill.

*

We’ll for him plead

a base-born life to lead…

Uphill!

So shortly sped

and earned

divinities title

of Theology, a doctor,

learned!

*

Up and up…

he kept on rising,

’til waxen-wings

stopped him flying!

*

But first,

before that flight,

is he within an earth-bound

state, and study found…

*

There to slake his lack

with subtle sorceries, black!

The Arts of Dark pursuing

all thought for the Soul’s chief bliss,

denying…

*

 

 

Living in a fairy tale

brian froud goblins
                     Painting by Brian Froud

I’ve been looking into old faery lore lately. Not the sanitised Victorian version of miniature winged  beauties, but at the old tales of strange encounters, customs that go back beyond memory, time lost in the faery realm and the darker aspects of the hidden folk. I watched a documentary and, amongst a few other ideas, one in particular got me thinking. The suggestion was that if faeries do not have a concrete and objective reality of their own in our world, but do exist for us in the realms of imagination, perhaps imagination itself is a state of being we do not fully understand, bridging the gap between our usual vision of reality and unreality  in a way that has a validity of its own. As a concept, and after years of working with magical systems, that works for me.

In esoteric terms, the realm of imagination is a realm of causation…the place where abstract ideas take on the substance of proto-reality, one step removed from concrete materialisation. You could consider a can opener. A need arises for some method of opening a can, need fuels that abstract thought, but that won’t get the beans on the toast. Imagination is what creates the design for the tool that will. You see it as a reality, a working gadget, in your own mind, long before it becomes a prototype or opens a can. You could call imagination the matrix of reality and that would not be very far away from some of the recent postulations of scientific thought.

I couldn’t help thinking about the Disney version of Pinocchio and how much he wanted to be a real boy. The wooden puppet and his externalised ‘conscience’ sought the help of a faery and it was she who would eventually be the catalyst for his transformation from wood to flesh. Only the catalyst, not the cause… the puppet’s own actions make him real. I was wondering how closely that applies to people. Many of us are Ugly Ducklings, Cinderellas or Sleeping Beauties for much of our lives.

Ugly Ducklings feel sidelined, shunned by the ‘in’ crowd, left out in the cold because we are not ‘like them’. It is untrue… but it may as well be, because that is what we feel and we become self-fulfilling prophecies of our own isolation. We may withdraw…or we may become the victim of our own desire to please and to ‘fit’… unless, by some leap of inner vision, we can finally see ourselves for the Swans we have always been.

The Cinderellas are not so different. We are not good enough… we are lesser, unworthy in our own eyes and will do anything to feel ‘good enough’. It takes a catalyst, the ‘fairy godmother’ or a critical loss perhaps, to reveal our true being. Sometimes it just needs someone to see beyond our dark imaginings and hold up the magic mirror of their own being in which we can see, like Snow White, that we are ‘fairest of them all’. And always were.

Sleeping Beauties wait for life to wake us, never reaching true maturity until someone or something gives us that ‘kiss of true love’ that shows us we were always valued and able to love.

The archetypes portrayed by our fairy tales may have happy endings… at least according to their modern versions; many of the older tales have darker endings but they all reflect aspects of the human condition. I am fairly certain we could all find one where the essence of the tale fits our outlook, from the child lost in the wood, to the imprisoned beauty or the princess who kisses a frog. We are living in fairytales… and many of them are dark.

It is very easy to see how imagination is at the root of reality when you look at the human mind. Every emotion is rooted in imagination and we create our reality according to our emotions. We read a book and, if it engages our imagination, laugh and cry with its characters. We fear the dentist because we anticipate pain, imagining the sound of the drill and the sharpness of the needle. We finally meet a pair of eyes and smile… we may even say hello… but before we do so we have already imagined that first touch and the shiver of romance… and then we are notoriously insecure in those first throes of romance because we imagine the ‘what ifs’ and potential loss.

What we imagine is real for us within its own realm. That applies equally to the ‘Christmas morning’ moments that are as delightful as any Victorian faery and to those moments where our inner vision leads us down a darker path.

We tend to think of imagination as part of a creative process, assuming that some, like writers, artists and musicians, are more gifted in that area than others. That is a false concept; they may have a particular facility for expressing that process as tangible creations, but the imagination itself is shared and accessed by all of us. Every time we think, we are engaging in a creative process… and how often are we not thinking? In the Silent Eye, the active imagination plays a large part in the work we do, drawing upon its depth and potential in order to create change. We are not alone in recognising the power of imagination… there are countless self-help systems out there on varying methods of positive thinking, and what is that except engaging the creative imagination to shape reality by choosing to believe in something not yet real in order to make it real?

Some things have to be believed

Before they can be seen…

In the documentary, it was suggested that faeries cannot be seen with the eyes, but only with the heart.  That is true of people too… and equally true of ourselves. Unless we believe in ourselves, we will never become ourselves. Imagination may be the matrix of reality, but I wonder if it is also an expression of the feeling mind and the thinking heart. A heart that cannot think falls into sentimentality, a mind that cannot feel risks being frozen by its own logic. Imagination may belong to a different level of our being and, properly embraced, may open the doors to a treasure-house, where, if we can believe in the possibilities we find there, we can balance all the aspects of our selves and find the way to that fabled happily-ever-after.


“What dreams may come…”

From the Big Bad Wolf to Pinocchio, from Ogres and Giants, to the Pied Piper and the Wicked Witch… Have you ever wondered what happens when Beauty sleeps?

Join us for a weekend in heart of Derbyshire to find out…

Awaken the beauty that sleeps within.

What lies beneath the surface of familiar childhood tales? How do these old stories relate to our own lives? What can we learn from the archetypes and recurring themes? What can they teach us about ourselves?

Our workshops are open to all. Using techniques both ancient and modern, we explore the spiritual journey through symbolic stories, meditations and fully scripted ritual drama. No prior experience is needed, just come along and enjoy the weekend!

The weekend runs from the evening of 17th April 2020, to the afternoon of Sunday 19th. Fully catered accommodation is included in the workshop price of £240 – £265. An electronic copy of the workbook for the weekend will be supplied prior to the event, with paper copies available to purchase if preferred.

To read what it is like to attend your first workshop with the Silent Eye, click HERE.

Bookings are now being taken for the Silent Eye’s Annual Workshop 2020.

Click below to
Download a Booking Form – pdf

For further details or to reserve your place: rivingtide@gmail.com

Where Beauty Sleeps

Great Hucklow, Derbyshire

17-19 April, 2020

 

Lord of the Deep . The Bull of Heaven. ~ Willow Willers

Willow continues her tale of her journey through the story of Gilgamesh at the recent Lord of the Deep workshop weekend:

 

Broken

Unwashed, unkingly

The mighty ego returns

To the city and temple

Unrecognised.

Ritual Four

Again I process into the temple, again it’s a huge leap through time and space.

Gilgamesh distraught at losing his brother finds himself outside the Temple of Ishtar.

Shamhat is there and full of vengeance she mocks him. Calling to him to take her and make her his own.

Gilgamesh is afronted. Why he wonders does she mock him so. The answer is blaring clear to all but the mighty ego.

He has let his brother, her lover, Enkidu, perish in the forest. She despises him. It lifts her to see him so broken. So she hits him where it hurts.

Revenge

So sweet but short lived

Shamhat taunts Gilgamesh

No more than he deserves.

*

Continue reading at willowdot21

The Wicker-Tree…

F4AD6DA9-7EA0-4185-98F1-32EC6712AF8F

*

Why meet again, we three?

To quell a raging psychopath…

and tell the Way of the Wicker-Tree.

*

Why we three?

Why a circle?

Why a dance?

*

Because this way

None can say

Which witch is which…

*

Nor can any see

a beginning or an end

to the Wicker-Tree.

*

The Silent Unicorn

The Silent Eye and Lodge Unicorn na h’Alba

The Unicorn is an iconic spiritual symbol in the British Isles and particularly in Scotland. We will use the power of the elements and spirit of the unicorn to create your own Silent Unicorn within, culminating at the old hidden seminary at Scalan in the remote Braes of Glenlivet.

Dates:  Weekend  Friday 14th – Sunday 16th June, 2019

Location:  Based in Grantown–on–Spey and area

Cost: Workshop costs £50 per person. Meals and accomodation are not included and should be booked separately by all attendees. Lunch and dinner are usually shared meals.

Untitled

Click below to
Download our Events Booking Form – pdf

For further details or to reserve your place: rivingtide@gmail.com

The Bedouin

Image by Cuyahoga from Pixabay

It is said we learn most from those we would wish to emulate. Not copy, perhaps, but take from them an essence of thought, of action. If we are younger, of style, even…

There must have been a thousand people in the room. The university hall was full. When he stood up to speak, his movements were relaxed. His body language gentle, open.

What was it, that air? It wasn’t bravado…. just a sense of being at home, there.

Before him, there had been a speaker giving lots of do’s and don’ts – mainly don’ts. The celebratory mood with which we had all gathered had been blunted. The new speaker looked around the room to encompass the space – as though drawing in all the negative energy and using it as raw material for something very different – like crushed stones in roadbuilding. That act, alone, taught me so much; that you can always ‘dance on’ negativity and treat it as a foundation layer, thereby giving it a home, rather than resisting it. Therein is true magic…

He looked around, drawing in breath to begin. Then smiled…. just that; a silent smile. I swear that all of us leaned forward when he did that, waiting for him to fill the pause: the not-thing, the empty glass he had just created. Instead of words, he filled it with gesture. There was a hush as everyone realised that they were not smiling and addressed it accordingly.

We smiled….

“Good morning,” he said, not looking or sounding like anyone should after a recent transatlantic flight.

Everyone responded, some twice and more loudly the second time. Laughing, good-natured. So far all he had done was to speak those three words; yet most of those watching were already with him, already a joyous part of what was being created.

And that was when I had the mind-picture of drifting sand; sand making lazy, curling and twisting patterns in the hot breeze…

“So the question is…” He spoke fluently, breathing and talking in measured beats, letting the rounded language sink in before moving to the next idea in what he was building. The rise and fall reminded me of a wave… and then I saw where the wave and the tumbling sand were headed. And I saw the dune – a vast wind-blown barchan, set in the middle of a hot desert, with a beautiful blue sky. A savage place to be, perhaps, but not in this projected mental space.

“I need a couple of people to help me?”

My raised hand was too far back to be noticed. His playful eyes ranged over the first few rows, picking out a man and a woman. They rose from their chairs as assured as I was that they would form part of something wonderful – that they needed to have no apprehension, let alone fear, in the spiritual composition to come.

He gave them each a simple prop and asked them to describe it, moving with the microphone to stand alongside them – not across – as they spoke. He nodded at the answers, taking what he needed from each.

“So what happens when we combine any two of these?” he asked.

As in a dance, he moved the two of them around the small stage, being playful but purposeful. At each key angle of his imagined circle, he stopped to check the arrangement and smiled. Whatever was being built grew…. there was no doubt in anyone’s mind; we could feel it. We might recognise the elements being used, and the circular pattern, but what he was creating was still a mystery.

“And now any three of them…” From his battered leather document case he produced a crescent of silver… and the beautiful desert in my mind was suddenly under faint stars and a bright moon. His two volunteers saw the pattern, and each, independently, began moving towards their host.

Three figures stood at the top of the dune. He took their hands and aligned them, stepping behind both and disappearing…

For a moment before the thunder of applause struck, the hall was full of a beauty that could never be rehearsed. Then the wind blew and the beautiful grains of desert sand dispersed into the imagined night…

I never forgot the Bedouin… and I have carried his lesson with me ever since.

©Copyright Stephen Tanham

Stephen Tanham is a Director of the Silent Eye School of Consciousness, a not-for-profit teaching school of modern mysticism that helps people find a personal path to a deeper place within their internal and external lives.

The Silent Eye provides home-based, practical courses which are low-cost and personally supervised. The course materials and corresponding supervision are provided month by month without further commitment.

Steve’s personal blog, Sun in Gemini, is at stevetanham.wordpress.com.

Lord of the Deep. Hunting Hum-Ba-Ba. ~ Willow Willers

Willow continues the tale of her experience at the Lord of the Deep workshop:

Ritual three Hunting the Tree Demon.

So peace came to pass

Twin brothers ruled the land at last.

A peace reigned and all was well

But Gilgamesh would send this soon to hell.

Enkidu begged his brother to be calm

Yet he cannot calm the giant ego bent on harm.

*********

So here I am again dancing the fates, I hold these two brothers lives in the palm of my hand. I am not alone the other fates are here too.

********

To city elders, Gods and Goddesses they appeal.

Enkidu states his fears and his brother laughs

There is no stopping a giant ego

He is deaf to all reason, will not do things by halves.

One with heavy heart into the far beyond they go.

**********

Continue reading at willowdot21