Keys of Heaven (4) – through the bones of the whale



(Above: Saturday morning. Our path down to Whitby framed and given destination by the Whalebone Arch – a monument to harsher days in the town)

The pale winter sun lies – to our symbolic view – just beyond the East Cliff horizon. Its lowness and lateness in the cold sky speaks of the approach of the winter solstice, a time of maximum darkness and minimum light…. but also a time of turning.

History is made from a series of turning-points. Changes – some of them completely unforeseen and incapable of being predicted – but all of them remaking ‘the world’ in a way analogous to how baking irrevocably alters the ingredients of bread. The changed world can be different things to different people. For some it is positive change. For others, apparent sadness. Often, the death of a loved one; for others it is the death of a idea or a way of life or the perceived heartbeat of goodness in a civilisation.

Every turning point is a gateway into the new. Every turning point invites us to be a part of where it goes with eyes wide with possibility… or closed with regret. Until the point when things turn, we can resist or accept that, this time, the ship’s course may not be as we would wish. But it is a course that has been set and we are on that ship.

There are ships below us, now. Physical ships in Whitby’s harbour.

So, through the arch we must go… Perhaps the man known by history as St Cedd walked down this way to the bridge, or more likely, ferry, across the river Esk. On the far side, beyond the market square, there lay and lie the near two-hundred steps to the gateway of the Abbey. Inside waited Abbess Hild and their King, the mighty Oswiu, ruler of Northumbria, the most powerful of the Saxon kingdoms.

We can barely grasp the solemnity of that occasion.

These weighty thoughts on our mind, we descend. Sue (who was here, many times, with her Grandfather when she was a child) points out – perhaps mischievously – that I should note the contents of the horizon; with particular reference to the view of the Abbey. Dutifully I do so, and make sure I take photographs with the longer lens of the ‘proper’ camera in my bag.

(Above: Taken from the West Key and across the river Esk to the Abbey at Whitby… or is it a more complicated view?)

You never know when you’ll need them…

Flattery>Pride>Humility>Will. These are the four connected words I drew from the little bag at our opening meeting in the cafe. In a series of blogs not far away, one of my fellow Directors of the Silent Eye, Stuart France, is working his way through his own sequence of words; words which I have come to think of as ‘Back Along The Spoke‘- I smile at the acronym BATS. There are twelve such sets of BATS. I will explain what they are as we go along. Each of the companions of this weekend has drawn one of them – their own set of four words. Their meaning is to be teased out as we travel and experience. There are no uniquely right answers – but there is a right direction.

We descend through the cold December sunshine and Sue remarks that I’ve been lucky with the weather, again. It would appear I (and usually Barbara, who, sadly has missed this workshop due to an operation – from which she is recovering remarkably) have, so far, thwarted the usual December weather’s attempt to crush our bold expeditions. I put it down to the indomitable willpower of our companions on these journeys… that and my very personal childhood link with the Norse God Thor – he of the hammer and deepest mysteries; at least before Hollywood got hold of it.

(Above: taken on our scouting trip at the end of October. One of the many tourist boats returning to Whitby from a short cruise up the coast)

Walking down the last section of steps, I think of how busy the quayside was, in October, just over a month ago, when Bernie and I made our scouting trip – whittling down the possible sites and checking the timing – and cafes, of course. Got to get the cafes right in December.

(Above: What was October’s bustling quay is now quiet…)

Now, the quayside has no more than a handful of visitors walking along it. The pubs and cafes are Christmas busy, though – which is a good thing for Whitby. I look at the empty pontoon used by the bright yellow ferry in the picture above… there’s a sense of ‘rest’ about it – a rest that will make it stronger when the sun’s arc takes us past the (solstice) feast of St Stephen and, slowly, into the warming arms of St John at midsummer’s polar opposite.

I wonder if perhaps Cedd arrived here by boat? And if he did, whether the element of water helped calm what must have been a feverish mind; helped frame his thoughts beneath the screaming voice of his Celtic faith:

“I do not go to my death, but to the death of everything I have loved. The powers will applaud but the voice within will be silent at the execution of the truth…”

I’m projecting this onto the unknown real character of St Cedd. But my inner senses tell me there is truth in the words. That truth will be confirmed by a real bishop before the weekend is done; confirmed in a way I could not have foreseen. After the unexpected meeting with historian and St Oswald’s churchwarden John Secker, it would be wise to leave us open to the grace of circumstance… and its kindness.

I think about cousin Barbara, again, and how much she would have enjoyed this moment. The new hip will make her so much stronger for what lies in the year ahead. And next year sees us using April to reveal the inner mystical power of the fairytale; June to the inner mysteries of astonishing Avebury; September to the likely journey of a lifetime to Orkney via the Pictish trail of northern Scotland. These are all listed in the Silent Eye’s Events page.

I’ve had my hand in a pocket of my jacket. My fingers stray onto a small, cloth case. I take it out and remember it’s a piece of Whitby Jet jewellery that Barbara bought here when on their family holiday a few years ago. As she couldn’t be at the workshop, she asked me to carry it to absorb the ‘vibes’.

(Above: Barbara’s silver bat – from Whitby and now visiting!)

It’s a very special and rare piece: the last one of a specially commissioned run – and it’s a bat. I smile at the coincidence – my four words prompted the acronym BATS for Back Along The Spoke. Now the two are united. I won’t dwell on it but it raises a smile…

(Above: Christmas carol singers near the swing bridge)

We’re almost at the Swing Bridge – the vital highway and footpath across the river Esk. The lovely voices are carol singers. We stop… of course we stop. There is joy here.

(Above: Looking up from the quayside, and wary of Sue’s smiling advice, I notice that the Abbey has disappeared but the church that wasn’t there before, is now present… What’s going on?)

Just before we cross the bridge that will take us – in the footsteps of St Cedd – through the East part of Whitby town and to the base of the near two hundred steps, I look again at what should be the Abbey ruins on the mound that is the East Cliff.

They are not there… instead, there is a church. I know it is St Mary’s but what’s happened to the Abbey? And if the loss of the Abbey is due to the edge of the East Cliff, then why couldn’t we see the Church of St Mary, before, from the higher West Cliff?

You’ll find the answer in a detailed second photograph in the blog. And, yes, it was a good idea to have the other camera with the long lens…

(Above: A mere ten minutes later, we stand before the ‘stairway to heaven’. The Abbey and St Cedd ‘s destiny await…)

Other parts in this series of posts: Part One Part Two Part Three This is Part Four

©Stephen Tanham

Stephen Tanham is a Director of the Silent Eye School of Consciousness, a not-for-profit teaching school of modern mysticism that helps people find a personal path to a deeper place within their internal and external lives.

The Silent Eye provides home-based, practical courses which are low-cost and personally supervised. The course materials and corresponding supervision are provided month by month without further commitment.

Steve’s personal blog, Sun in Gemini, is at stevetanham.wordpress.com.

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