We squelched through the mud at the gateway to the field, following the fence down to a tiny stone circle that is unknown to most casual visitors. Just a third of a mile from its big sister, the tiny cairn circle of Little Meg is one of the least known circles in the area and yet it is, with Long Meg and nearby Glassonby, one of only three in the area that has ancient carvings on its stones.
Technically, Little Meg is not a stone circle. When it was first discovered by antiquarians, it was buried within a mound of earth, making it the internal structure of a burial mound and the excavations revealed bones, charcoal and an urn, buried in a cist at the centre. The stones may, perhaps, have originally been a circle that was covered over, but the preservation of the symbols on one of the stones suggests that they were carved not too long before it was buried. There were once two decorated stones at the site, though only one now remains, carved with a spiral that flows into a series of concentric circles. The second is in Penrith museum and is carved with deep cups surrounded by concentric circles.
There is no way of knowing for certain what these carvings represented to our ancestors, and many theories have been put forward, from simple decoration to seasonal, star and energy maps. The odd thing is that, if these were purely decorative, why go to the trouble of carving into stone what could have been painted? And why were they buried beneath the mound of earth that once covered this cairn, where only the dead would see them?
We believe it was for this very reason, so that the dead… who were not thought of as ‘entirely’ dead, but were seen as Ancestors, with a presence and purpose within the clan… could see them. Were they, perhaps, a map for the journey home?
Whatever their purpose, when we had first visited the circle on our ‘recce’ trip, expecting only a few tumbled stones, we were wide-eyed at what we found. The carvings are quite crisp considering that they date back to the Bronze Age…and standing in their presence, under an open sky, is a strange and awe-inspiring feeling.
The stones were moved somewhat from their original positions during the excavation, and yet the familiar form of the ‘tailed’ entrance into the circle remains. There was a report of another and similar cairn close by, but no trace now remains of this. Not far away is the small Glassonby circle that we would not have time to visit. It too has a stone carved with concentric circles and angular patterns…and here too, the design is placed so that only the dead will see it.
For now, though, and in spite of the remains of a bird within the circle, this was a place of the living, not the dead, where the ends of time could be connected through the medium of the human heart and voice.
Once more we sent our companions out into the field to speak their words to the winds. This time, however, we had asked them to seek the ‘seed’ of their word… the seed of words in general. At a previous workshop we had considered how, if you knew how to ‘send’ and ‘receive’ along the leys, one might, theoretically, be able to send a message by a type of Morse code, interrupting the current and letting it flow into the energetic ‘dots and dashes’ that could be interpreted when it reached its destination. We compared this to the role of vowel and consonant in words. The vowels flow while the consonants interrupt the flow. We have experimented with chanting at ancient sites over the past few years; was this, we wondered, relevant to why some chants work better in certain places? Those that are made up of pure vowel sounds, in contrast to those where the flow is ‘cut’ by consonants.
Gathering once more, we shared a short meditation, building upon the imagery of the web of light, connecting it to the realm of the stars… and wondering how closely the constellations of stones might shadow those of the heavens if we but knew how to look…